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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. What Happened On That Day Really Set Me on a Path (Black and White) by Hank Willis Thomas, Image 1.

    Hank Willis Thomas

    What Happened On That Day Really Set Me on a Path (Black and White), 2018

    Retroreflective vinyl mounted to Dibond

    21.375 x 29.375 in (54.29 x 74.61 cm)

  2. Steamroller by Anthony Owen, Image 1.

    Anthony Owen

    Steamroller, 1992

    Embossing and enamel on paper

    50.5 x 108.25 in (128.27 x 274.96 cm)

  3. William Hall Strode

    Barbara Martin Reflected in Mirror, Appalachia/Kentucky, 1987

    Chromogenic print

    11 x 14 in (27.94 x 35.56 cm)

  4. Untitled by A.R. Ammons, Image 1.

    A.R. Ammons

    Untitled, 1977

    Watercolor and ink on Arches paper

    24 x 18 in (60.96 x 45.72 cm)

  5. George Burk

    Blind/Phase, 1977

    Lithograph on paper

    15 x 11 in (38.1 x 27.94 cm)

  6. Prayer III by Jonathan Clemens, Image 1.

    Jonathan Clemens

    Prayer III, 1977

    Woodcut on paper

    13 x 12.5 in (33.02 x 31.75 cm)

  7. A Shoemaker, Dublin by Alen MacWeeney, Image 2.

    Alen MacWeeney

    A Shoemaker, Dublin, 1963

    Archival pigment print

    13 x 19 in (33.02 x 48.26 cm)

  8. Eddie Cantor by Philippe Halsman, Image 2.

    Philippe Halsman

    Eddie Cantor, 1950

    Gelatin silver print

    13.25 x 10.25 in (33.66 x 26.04 cm)

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About the artist

Carmen Louis Cicero

American

b. 1926

American artist. Cicero studied at Hunter College alongside Robert Motherwell and Hans Hofmann. His early drawings and works were based on his memories of places, but after losing all his works in a fire, Cicero moved to New York City to start anew. Here, he evolved a unique style characterized by figural distortion and cartoonlike scenes. Originally, Cicero's work was surrealist in style, however, over time his work aligned with Chicago Imagism of the 1970s and Neo-Expressionism.