Skip to profile content
Discovery
Log In
Viewing collection Printmaking Clear context

Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Witness by Will Petersen, Image 1.

    Will Petersen

    Witness, 1983

    Engraving on paper

    15.5 x 15 in (39.37 x 38.1 cm)

  2. Namor Epyt Eisroh by Wayne Kimball, Image 1.

    Wayne Kimball

    Namor Epyt Eisroh, 1982

    Lithograph on paper

    11.0625 x 15 in (28.1 x 38.1 cm)

  3. Expose by John Schlump, Image 1.

    John Schlump

    Expose, 1979

    Screenprint on paper

    8.75 x 23 in (22.23 x 58.42 cm)

  4. Hunter by Peter Phillips, Image 1.

    Peter Phillips

    Hunter, 1975

    Screenprint on paper

    40 x 28.75 in (101.6 x 73.03 cm)

  5. Les Banx by Julian Trevelyan, Image 1.

    Julian Trevelyan

    Les Banx, 1973

    Etching on paper

    24.125 x 30.625 in (61.28 x 77.79 cm)

  6. Leonard Baskin

    Untitled (Portrait), 1971

    Etching on paper

    3 x 4.25 in (7.62 x 10.8 cm)

  7. Muy cerca (Very close) by Juan Genovés, Image 1.

    Juan Genovés

    Muy cerca (Very close), 1970

    Etching on paper

    19.8125 x 25.875 in (50.32 x 65.72 cm)

  8. Lovers, Canto V, from Inferno by Ron Kowalke, Image 1.

    Ron Kowalke

    Lovers, Canto V, from Inferno, 1970

    Etching on paper

    22 x 29.5 in (55.88 x 74.93 cm)

View All Artworks

About the artist

Liliane Lijn

American

b. 1939

American-born artist who was the first woman artist to work with kinetic text. Her work is known for its explorations into light, movement and text through her 'Poem Machines'. Lijn is also recognized for pioneering the interaction of art, science, technology, eastern philosophy and female mythology. She self-describes her work as "a constant dialogue between opposites, [her] sculptures use light and motion to transform themselves from solid to void, opaque to transparent, formal to organic.’ Her formal training included studying archaeology at the Sorbonne, and Art History at the Ecole du Louvre, in Paris.