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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Nas and Cam, from Spaces of Comfort by Endia Beal, Image 1.

    Endia Beal

    Nas and Cam, from Spaces of Comfort, 2023

    Archival pigment print

    60 x 80 in (152.4 x 203.2 cm)

  2. Zombie Boyfriend by Case Jernigan, Image 1.

    Case Jernigan

    Zombie Boyfriend, 2017

    Ink, paper, collage, and digital collage animation with audio

  3. Carolina Allspice Fruit, Calycanthus floridus, from the series Photographic Survey of the American Yard by Joshua White, Image 1.

    Joshua White

    Carolina Allspice Fruit, Calycanthus floridus, from the series Photographic Survey of the American Yard, 2015

    Archival pigment print

    4 x 4 in (10.16 x 10.16 cm)

  4. Evolution 9: Chinese Mythology by Fritz Janschka, Image 1.

    Fritz Janschka

    Evolution 9: Chinese Mythology, 2005

    Watercolor on paper

    8.125 x 9.25 in (20.64 x 23.5 cm)

  5. Birthday Cake for Andy by Andy Warhol, Image 2.

    Andy Warhol

    Birthday Cake for Andy, 1981

    Gelatin silver print

    10 x 8.75 in (25.4 x 22.23 cm)

  6. Surf Forms by John Schlump, Image 1.

    John Schlump

    Surf Forms, 1979

    Screenprint on paper

    8.75 x 20 in (22.23 x 50.8 cm)

  7. Recollections II by Jim McCormick, Image 1.

    Jim McCormick

    Recollections II, 1977

    Lithograph on paper

    18.25 x 24.125 in (46.36 x 61.28 cm)

  8. All American by William Weege, Image 1.

    William Weege

    All American, 1976

    Screenprint on paper

    30.125 x 22.125 in (76.52 x 56.2 cm)

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About the artist

Liliane Lijn

American

b. 1939

American-born artist who was the first woman artist to work with kinetic text. Her work is known for its explorations into light, movement and text through her 'Poem Machines'. Lijn is also recognized for pioneering the interaction of art, science, technology, eastern philosophy and female mythology. She self-describes her work as "a constant dialogue between opposites, [her] sculptures use light and motion to transform themselves from solid to void, opaque to transparent, formal to organic.’ Her formal training included studying archaeology at the Sorbonne, and Art History at the Ecole du Louvre, in Paris.