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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. 4 Queer African Women in the Snow, from Limitless Africans by Mikael Owunna, Image 1.

    Mikael Owunna

    4 Queer African Women in the Snow, from Limitless Africans, 2017

    Inkjet print on Kodak Pro Endura, gloss finish

    24 x 36 in (60.96 x 91.44 cm)

  2. P.O.W. by Adrian Van Suchtelen, Image 1.

    Adrian Van Suchtelen

    P.O.W., 1982

    Etching on paper

    12.625 x 12.75 in (32.07 x 32.39 cm)

  3. I Pass, like Night, from Land to Land from The Rime of the Ancient Mariner by Patrick Procktor, Image 1.

    Patrick Procktor

    I Pass, like Night, from Land to Land from The Rime of the Ancient Mariner, 1976

    Etching on paper

    25.5 x 19.5 in (64.77 x 49.53 cm)

  4. Tulip Table by Russell T. Gordon, Image 1.

    Russell T. Gordon

    Tulip Table, 1973

    Lithograph on paper

    19.125 x 24.4375 in (48.58 x 62.07 cm)

  5. Shoot by Richard Lindner, Image 1.

    Richard Lindner

    Shoot, 1971

    Screenprint on paper

    41 x 29.25 in (104.14 x 74.3 cm)

  6. Quartered Arc by Gordon House, Image 1.

    Gordon House

    Quartered Arc, 1970

    Etching on paper

    23 x 15.875 in (58.42 x 40.32 cm)

  7. Egret on a High Branch in the Rain by Koho Shoda, Image 1.

    Koho Shoda

    Egret on a High Branch in the Rain, c. 1930

    Woodblock on paper

    13.125 x 3 in (33.34 x 7.62 cm)

  8. Trio, from A Hungarian Memory Portfolio by André Kertész, Image 1.

    André Kertész

    Trio, from A Hungarian Memory Portfolio, 1923

    Gelatin silver print

    8 x 9.875 in (20.32 x 25.08 cm)

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About the artist

Carmen Louis Cicero

American

b. 1926

American artist. Cicero studied at Hunter College alongside Robert Motherwell and Hans Hofmann. His early drawings and works were based on his memories of places, but after losing all his works in a fire, Cicero moved to New York City to start anew. Here, he evolved a unique style characterized by figural distortion and cartoonlike scenes. Originally, Cicero's work was surrealist in style, however, over time his work aligned with Chicago Imagism of the 1970s and Neo-Expressionism.