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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Untitled (Davidson Print ii) by Robert Lazzarini, Image 1.

    Robert Lazzarini

    Untitled (Davidson Print ii), 2006

    Hand-colored woodcut on Zerkall Book Smooth paper

    12 x 9.5 in (30.48 x 24.13 cm)

  2. Untitled by Kenneth Noland, Image 1.

    Kenneth Noland

    Untitled, 1987

    Monotype on handmade paper

    40 x 28.5 in (101.6 x 72.39 cm)

  3. Plonguese by Hiroko Yoshimoto, Image 1.

    Hiroko Yoshimoto

    Plonguese, 1979

    Etching on paper

    19.5 x 20.25 in (49.53 x 51.44 cm)

  4. Chinatown by Chryssa, Image 1.

    Chryssa

    Chinatown, 1978

    Screenprint on paper

    38.75 x 31.375 in (98.43 x 79.69 cm)

  5. The Catch by Sue Perkinson, Image 1.

    Sue Perkinson

    The Catch, 1977

    Screenprint on paper

    26 x 23 in (66.04 x 58.42 cm)

  6. Comstock #3: Waiting by Jim McCormick, Image 1.

    Jim McCormick

    Comstock #3: Waiting, 1975

    Lithograph on paper

    12 x 15 in (30.48 x 38.1 cm)

  7. Shift I by Doug Warner, Image 1.

    Doug Warner

    Shift I, 1974

    Lithograph on paper

    21.125 x 17.1875 in (53.66 x 43.66 cm)

  8. Mo Asleep by David Hockney, Image 1.

    David Hockney

    Mo Asleep, 1971

    Aquatint on paper

    35.875 x 28 in (91.12 x 71.12 cm)

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About the artist

Howard Hodgkin

British

1932–2017

British painter, printmaker. Worked in an abstract painterly style and resisted easy categorization. Escaped to New York with family to escape the blitz. Introduced to Modernist artists such as Picasso, Matisse and Stuart David during the war. Produced his first serious work in 1949 while studying at the Camberwell School of Art before moving on to the Bath Academy of Art in Corsham, Wiltshire in a bid to more freely express and experiment new ways of painting. Expressivity as an artist was only truly freed after divorcing his wife of twenty years and acknowledging his homosexuality. Late works, 1970s-onwards, is when his own personalized styles of work developed—gestural, vibrantly technicolored and brilliant. Became the second artist to win the Turner Prize in 1985. Enjoyed a number of well-received international retrospective exhibitions, some organized by the British Council.