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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Untitled by Kristina Rogers, Image 1.

    Kristina Rogers

    Untitled, 1993

    Gelatin silver print

    14 x 11 in (35.56 x 27.94 cm)

  2. Red Poppy Field, Bourgogne by Ralph Gibson, Image 1.

    Ralph Gibson

    Red Poppy Field, Bourgogne, 1992

    Chromogenic print

    20 x 16 in (50.8 x 40.64 cm)

  3. Irene Near The Old Chair by Susan Moore, Image 1.

    Susan Moore

    Irene Near The Old Chair, 1978

    Woodcut on rice paper

    24.5 x 19.375 in (62.23 x 49.21 cm)

  4. Sue by Frank Huntington Stack, Image 1.

    Frank Huntington Stack

    Sue, 1976

    Lithograph on paper

    16.125 x 12 in (40.96 x 30.48 cm)

  5. Untitled (Woman in Tunic) by Anne Noggle, Image 1.

    Anne Noggle

    Untitled (Woman in Tunic), c. 1975

    Silver gelatin print

    20 x 16 in (50.8 x 40.64 cm)

  6. I Don't See How They Can Finish by Graham Ovenden, Image 1.

    Graham Ovenden

    I Don't See How They Can Finish, 1970

    Screenprint on paper

    26 x 20 in (66.04 x 50.8 cm)

  7. Amanda Gordon, Rose Hill Church by William R. Ferris, Image 1.

    William R. Ferris

    Amanda Gordon, Rose Hill Church, 1968

    Gelatin silver print

    17 x 11 in (43.18 x 27.94 cm)

  8. La Dame Indignée, from the portfolio Robert Doisneau by Robert Doisneau, Image 1.

    Robert Doisneau

    La Dame Indignée, from the portfolio Robert Doisneau, 1948, printed 1979

    Gelatin silver print

    9.5 x 11.75 in (24.13 x 29.85 cm)

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About the artist

Terrence Karpowicz

American

b. 1948

Terrence Karpowicz is an American sculptor who received his BFA from Albion College in Michigan. He initially began his painting career in New York, but was inspired by Mark di Suvero to try sculpture and thus pursued sculpture in the graduate program at University of Illinois. He was awarded a Fullbright-Hayes fellowship (UK), 2 National Endowment for the Arts awards, 4 grants from the Illinois Arts Council, The Newhouse Award, and was a Scholar to the Wind and Watermill Section of the Society for the Protection of Ancient Buildings. His works have been exhibited across North America, Europe, and the Soviet Union.