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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Full Range Encounter by Alan Saret, Image 1.

    Alan Saret

    Full Range Encounter, 1983

    Pencil on paper

    22.5 x 30 in (57.15 x 76.2 cm)

  2. The Visiting Team by Mark Sabin, Image 1.

    Mark Sabin

    The Visiting Team, 1979

    Lithograph on paper

    24 x 30 in (60.96 x 76.2 cm)

  3. Charlotte On Ice by Richard Stenhouse, Image 1.

    Richard Stenhouse

    Charlotte On Ice, 1979

    Pencil on velum

    20 x 24 in (50.8 x 60.96 cm)

  4. Seashore I by Cecilia Davila, Image 1.

    Cecilia Davila

    Seashore I, 1979

    Etching on paper

    29.6875 x 22.6875 in (75.41 x 57.63 cm)

  5. London Series II: Untitled (Yellow/Black) by Robert Motherwell, Image 1.

    Robert Motherwell

    London Series II: Untitled (Yellow/Black), 1971

    Screenprint on paper

    28.125 x 41.25 in (71.44 x 104.78 cm)

  6. Spartin Sun Box I by Theodoros Stamos, Image 1.

    Theodoros Stamos

    Spartin Sun Box I, 1971

    Screenprint on paper

    23.875 x 25.875 in (60.64 x 65.72 cm)

  7. Sharecropper by Robert Gwathmey, Image 1.

    Robert Gwathmey

    Sharecropper, 1969

    Lithograph on paper

    18.75 x 26.5 in (47.63 x 67.31 cm)

  8. Section by Herb Jackson, Image 1.

    Herb Jackson

    Section, 1968

    Etching on paper mounted to mat

    10.75 x 16 in (27.31 x 40.64 cm)

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About the artist

Kubo Shunman

Japanese

1757–1820

Japanese painter and writer. Born 1757 in Tokyo, Japan, Shunman produced ukiyo-e prints and studied the Chinese Shen Quan style. His work is recognizable for his elegant scenes and consistent use of muted color schemes. Shunman was additionally a member of a poetry society and later in his career moved away from commercial prints to produce commissioned work that included his writings.