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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Bank Tellers of America versus The Aryan Republican Army (1992-1996) by Tyler Starr, Image 6.

    Tyler Starr

    Bank Tellers of America versus The Aryan Republican Army (1992-1996), 2021

    Pigment prints on Moab Entrada Rag Bright 190 gm. Custom hardcover case binding with hinged foldout front and back covers using inlaid magnets.

    8.75 x 10.25 x 1.25 in (22.23 x 26.04 x 3.18 cm)

  2. Untitled (D) by Joel Shapiro, Image 1.

    Joel Shapiro

    Untitled (D), 2003

    Woodcut printed on Gampi paper, mounted onto Hanga Dosa paper

    26.5 x 18.75 in (67.31 x 47.63 cm)

  3. Chinatown by Chryssa, Image 1.

    Chryssa

    Chinatown, 1978

    Screenprint on paper

    38.75 x 31.25 in (98.43 x 79.38 cm)

  4. Project I by Garo Zareh Antreasian, Image 1.

    Garo Zareh Antreasian

    Project I, 1977

    Lithograph on paper

    19.625 x 25.625 in (49.85 x 65.09 cm)

  5. Don't Miss America in 1977 by William Weege, Image 1.

    William Weege

    Don't Miss America in 1977, 1976

    Screenprint on paper

    30.125 x 22.25 in (76.52 x 56.52 cm)

  6. History of Printmaking: Hayter Discovers Viscosity by Warrington W. Colescott, Image 1.

    Warrington W. Colescott

    History of Printmaking: Hayter Discovers Viscosity, 1976

    Lithograph on paper

    20.25 x 26 in (51.44 x 66.04 cm)

  7. Tulip Table by Russell T. Gordon, Image 1.

    Russell T. Gordon

    Tulip Table, 1973

    Lithograph on paper

    19.125 x 24.4375 in (48.58 x 62.07 cm)

  8. Six in Vermilion with Green in Yellow by Patrick Heron, Image 1.

    Patrick Heron

    Six in Vermilion with Green in Yellow, 1970

    Screenprint on paper

    28.25 x 39.75 in (71.76 x 100.97 cm)

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About the artist

William Turnbull

British

1922-2012

British sculptor, painter, and illustrator. Began as commercial illustrator at DC Thomson in 1939 where he was introduced to Modern European art like Cezanne and Monet. After WWII, enrolled at The Slade School of Fine Art in London in painting department before switching to the sculpture department, finding the neo-Romanticism approach expounded by his painting tutors to not be creative. From Eduardo Paolozzi, he learned the direct, modernist approach to sculpture and modelled in cement or wet plaster around an armature. Some of his works were influenced by Giacometti’s prewar surrealist sculptures. Influenced by the “primitives”: Italian 14th and 15th century muralists and altar panelists and Greek pre-classical works. Also influenced by ethnographic collections: Venus of Willendorf, bronze heads, totems and standing figures.