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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Untitled (Surrounded by Wolves) by Jen Ray, Image 1.

    Jen Ray

    Untitled (Surrounded by Wolves), 2017

    Watercolor and ink on handmade paper

    14.875 x 11 in (37.78 x 27.94 cm)

  2. Cleve Gray

    Resurrection Series, 1986

    Acrylic on paper mounted to burlap and board

    29.75 x 22 in (75.57 x 55.88 cm)

  3. The Unvarnished Truth, Mitchell Country, Kansas by Lyle Alan White, Image 1.

    Lyle Alan White

    The Unvarnished Truth, Mitchell Country, Kansas, 1983

    Gelatin silver print

    8.5 x 6.5 in (21.59 x 16.51 cm)

  4. Hooded Figures by Nicholas Monro, Image 1.

    Nicholas Monro

    Hooded Figures, 1970

    Screenprint on paper

    27.625 x 40 in (70.17 x 101.6 cm)

  5. Black Quartered Arc by Gordon House, Image 1.

    Gordon House

    Black Quartered Arc, 1970

    Etching on paper

    20.5 x 15.625 in (52.07 x 39.69 cm)

  6. Untitled #2 by Richard Howard Hunt, Image 1.

    Richard Howard Hunt

    Untitled #2, 1969

    Lithograph on paper

    30.5 x 39.375 in (77.47 x 100.01 cm)

  7. Fine Yard Funeture by Gene Merritt, Image 1.

    Gene Merritt

    Fine Yard Funeture

    Ink on paper

    11 x 8.5 in (27.94 x 21.59 cm)

  8. Selfportrait as Sprinter by Dieter Roth, Image 1.

    Dieter Roth

    Selfportrait as Sprinter, no date

    Ink on paper

    9 x 13 in (22.86 x 33.02 cm)

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About the artist

Max Bill

Swiss

1908-1994

Max Bill (1908-1994) was a Swiss sculptor, painter, typographer, and teacher. He studied at the Kunstgewerbeschule in Zürich and the famous Bauhaus under Josef Albers, Wassily Kandinsky, and Paul Klee. He later co-founded the Ulm School of Arts and Crafts, where he was the head of the architecture and product design departments during the 1950s. His works are abstract and rely on mathematics and geometric problems such as the Möbius strip. Bill was a trendsetter in Swiss design and concrete art, and his influence spread as far as South America.