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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. The Quest by Salvador Dalí, Image 1.

    Salvador Dalí

    The Quest, 1981

    Etching and aquatint on paper

    15.5 x 17 in (39.37 x 43.18 cm)

  2. Le Sevil by George Ball, Image 1.

    George Ball

    Le Sevil, 1979

    Engraving on paper

    23.125 x 15.375 in (58.74 x 39.05 cm)

  3. Double V by Doug Warner, Image 1.

    Doug Warner

    Double V, 1978

    Handmade paper

    28 x 12.375 in (71.12 x 31.43 cm)

  4. African Violets by Laura Grosch, Image 1.

    Laura Grosch

    African Violets, 1976

    Lithograph on paper

    20 x 25 in (50.8 x 63.5 cm)

  5. All Fixed on Me Their Stony Eyes That in the Moon Did Glitter from The Rime of the Ancient Mariner by Patrick Procktor, Image 2.

    Patrick Procktor

    All Fixed on Me Their Stony Eyes That in the Moon Did Glitter from The Rime of the Ancient Mariner, 1976

    Etching on paper

    25.75 x 19.625 in (65.41 x 49.85 cm)

  6. 1, from Distorted Square Within a Circle by Robert Mangold, Image 2.

    Robert Mangold

    1, from Distorted Square Within a Circle, 1973

    Screenprint in colors on Arches paper

    27.75 x 27.75 in (70.49 x 70.49 cm)

  7. Untitled by Richard Howard Hunt, Image 1.

    Richard Howard Hunt

    Untitled, 1972

    Lithograph on paper

    22 x 19 in (55.88 x 48.26 cm)

  8. Orpheus, Stages of an Image by Varujan Boghosian, Image 1.

    Varujan Boghosian

    Orpheus, Stages of an Image, c. 1970

    Woodcut on paper

    30 x 22.25 in (76.2 x 56.52 cm)

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About the artist

William Scott

British

1913-1989

British painter. Known for his non-objective works that explore the space between abstraction and figuration due to his interest in themes of still-life, landscape and the female nude. Attended the Belfast School of Art before painting at the Royal Academy Schools. Exhibited at the Paris Salon d’Automne, 1938. Joined the army in July 1942 with the Royal Army Ordnance Corps and then as a lithographic draughtsman with the Royal Engineers. Taught at the Bath Academy of Art as Senior Painting Master before painting full-time from 1956 onward. Represented Great Britain at the 1958 Venice Biennale and at the 1961 São Paulo Bienal where he won the Sanbra (International Critics) Purchase Prize, amongst others.