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Viewing artist William Scott Clear context

Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Blue Field by William Scott, Image 1.

    William Scott

    Blue Field, 1972

    Screenprint on paper

    22.875 x 30.5 in (58.1 x 77.47 cm)

  2. Divided Counterchange by William Scott, Image 1.

    William Scott

    Divided Counterchange, 1972

    Screenprint on paper

    22.125 x 30.5 in (56.2 x 77.47 cm)

  3. First Triangles by William Scott, Image 1.

    William Scott

    First Triangles, 1972

    Screenprint on paper

    23 x 30.75 in (58.42 x 78.11 cm)

  4. White Predominates by William Scott, Image 1.

    William Scott

    White Predominates, 1972

    Screenprint on paper

    23 x 30.625 in (58.42 x 77.79 cm)

  5. Equals by William Scott, Image 1.

    William Scott

    Equals, 1972

    Screenprint on paper

    23 x 30.5 in (58.42 x 77.47 cm)

  6. Lines with Breadth Supercede by William Scott, Image 1.

    William Scott

    Lines with Breadth Supercede, 1972

    Screenprint on paper

    22.875 x 15.375 in (58.1 x 39.05 cm)

  7. Fire on the Rectangle by William Scott, Image 1.

    William Scott

    Fire on the Rectangle, 1972

    Screenprint on paper

    22.75 x 15.25 in (57.79 x 38.74 cm)

  8. Estate Landscape by William Scott, Image 1.

    William Scott

    Estate Landscape, 1972

    Screenprint on paper

    22.625 x 15.375 in (57.47 x 39.05 cm)

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About the artist

William Scott

British

1913-1989

British painter. Known for his non-objective works that explore the space between abstraction and figuration due to his interest in themes of still-life, landscape and the female nude. Attended the Belfast School of Art before painting at the Royal Academy Schools. Exhibited at the Paris Salon d’Automne, 1938. Joined the army in July 1942 with the Royal Army Ordnance Corps and then as a lithographic draughtsman with the Royal Engineers. Taught at the Bath Academy of Art as Senior Painting Master before painting full-time from 1956 onward. Represented Great Britain at the 1958 Venice Biennale and at the 1961 São Paulo Bienal where he won the Sanbra (International Critics) Purchase Prize, amongst others.