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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Candy Mountain Two by Richard Black, Image 1.

    Richard Black

    Candy Mountain Two, 1982

    Lithograph on paper

    15.25 x 11.25 in (38.74 x 28.58 cm)

  2. Dos Equis and Alewives for Jane by Leonard Edward Dowhie, Image 1.

    Leonard Edward Dowhie

    Dos Equis and Alewives for Jane, 1982

    Lithograph on paper

    22.25 x 15.125 in (56.52 x 38.42 cm)

  3. Dante, I Had Not Known That Death Had Undone So Many by Tom Phillips, Image 1.

    Tom Phillips

    Dante, I Had Not Known That Death Had Undone So Many, c. 1975

    Etching on paper

    25.5 x 19.5 in (64.77 x 49.53 cm)

  4. Wake Up, Alice Dear by Graham Ovenden, Image 1.

    Graham Ovenden

    Wake Up, Alice Dear, 1970

    Screenprint on paper

    26 x 20 in (66.04 x 50.8 cm)

  5. Boatman by Léon Hartl, Image 1.

    Léon Hartl

    Boatman, c. 1965

    Lithograph on paper

    12.5 x 9.75 in (31.75 x 24.77 cm)

  6. Nomads by Robert Goodnough, Image 1.

    Robert Goodnough

    Nomads, 1960

    Lithograph on paper

    9.1875 x 14 in (23.34 x 35.56 cm)

  7. Verbruderung by Käthe Kollwitz, Image 1.

    Käthe Kollwitz

    Verbruderung, 1924

    Lithograph on paper

    9.25 x 6.625 in (23.5 x 16.83 cm)

  8. Dramatic Works of Shakespeare - King Henry the Eighth by John Boydell, Image 1.

    John Boydell

    Dramatic Works of Shakespeare - King Henry the Eighth, 1803

    Engraving on paper

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About the artist

William Scott

British

1913-1989

British painter. Known for his non-objective works that explore the space between abstraction and figuration due to his interest in themes of still-life, landscape and the female nude. Attended the Belfast School of Art before painting at the Royal Academy Schools. Exhibited at the Paris Salon d’Automne, 1938. Joined the army in July 1942 with the Royal Army Ordnance Corps and then as a lithographic draughtsman with the Royal Engineers. Taught at the Bath Academy of Art as Senior Painting Master before painting full-time from 1956 onward. Represented Great Britain at the 1958 Venice Biennale and at the 1961 São Paulo Bienal where he won the Sanbra (International Critics) Purchase Prize, amongst others.