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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Tidelines 4 by Katie St. Clair, Image 1.

    Katie St. Clair

    Tidelines 4, 2022

    Acrylic, natural and synthetic dye, hand ground powdered charcoal, aerosol and gesso on canvas

    48 x 40 in (121.92 x 101.6 cm)

  2. Sunflowers by Joyce Tenneson, Image 1.

    Joyce Tenneson

    Sunflowers, 2020

    Archival pigment print

    22 x 17 in (55.88 x 43.18 cm)

  3. The Road to Nowhere, # 8 by Marti Corn, Image 1.

    Marti Corn

    The Road to Nowhere, # 8, 2017

    Archival pigment print

    13 x 12.9375 in (33.02 x 32.86 cm)

  4. The Sunflowers Quilting Bee at Arles by Faith Ringgold, Image 1.

    Faith Ringgold

    The Sunflowers Quilting Bee at Arles, 1997

    Silkscreen on paper

    33.75 x 35 in (85.73 x 88.9 cm)

  5. Monument by Robert Ecker, Image 2.

    Robert Ecker

    Monument, 1978

    Mezzotint on paper

    7 x 5 in (17.78 x 12.7 cm)

  6. Ladies and Gentlemen (Broadway) by Andy Warhol, Image 1.

    Andy Warhol

    Ladies and Gentlemen (Broadway), 1974

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  7. Proscenium I by Richard Smith, Image 1.

    Richard Smith

    Proscenium I, 1971

    Etching on paper

    30.625 x 23 in (77.79 x 58.42 cm)

  8. The Ascension of Christ and Mary by McKendree Robbins Long, Image 1.

    McKendree Robbins Long

    The Ascension of Christ and Mary, c. 1965

    Oil on canvas

    48 x 25.5 in (121.92 x 64.77 cm)

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About the artist

Michael Mazur

American

1935-2009

American printmaker, painter, and sculptor. Mazur graduated from Amherst College (1958) and then studied at Yale University. His work deals with the figure and abstraction, and he was recognized first for a series of lithographs and etchings of inmates at a mental asylum. In his later years, he concentrated on large, lyric paintings, and has been influenced by Impressionism, Abstract Expressionism, and early Chinese paintings. He is known for his fluidity between media and working in abstract and representational imagery. He was instrumental in the revival of the monotype in 20th century art.