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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Luminous Trumpets by Joyce Tenneson, Image 1.

    Joyce Tenneson

    Luminous Trumpets, 2020

    Archival pigment print

    22 x 17 in (55.88 x 43.18 cm)

  2. Phil/Spitbite by Chuck Close, Image 1.

    Chuck Close

    Phil/Spitbite, 1995

    Spit bite aquatint on paper

    28 x 20 x 1.75 in (71.12 x 50.8 x 4.45 cm)

  3. Architecture and Awning, Nice by Ralph Gibson, Image 1.

    Ralph Gibson

    Architecture and Awning, Nice, 1992

    Chromogenic print

    20 x 16 in (50.8 x 40.64 cm)

  4. Grapevines and Cracked Mud, Near Arvin, California by Robert Dawson, Image 1.

    Robert Dawson

    Grapevines and Cracked Mud, Near Arvin, California, 1985

    Gelatin silver print

    14 x 17.75 in (35.56 x 45.09 cm)

  5. The Clarks by Keith Rasmussen, Image 1.

    Keith Rasmussen

    The Clarks, 1976

    Lithograph on paper

    21.875 x 29.75 in (55.56 x 75.57 cm)

  6. Charles Newington, Printer from The Rime of the Ancient Mariner by Patrick Procktor, Image 1.

    Patrick Procktor

    Charles Newington, Printer from The Rime of the Ancient Mariner, 1976

    Etching on paper

    25.75 x 19.5 in (65.41 x 49.53 cm)

  7. Parking Lot by Robert Freimark, Image 1.

    Robert Freimark

    Parking Lot, 1974

    Lithograph on paper

    21.8125 x 14.875 in (55.4 x 37.78 cm)

  8. Six in Vermilion with Green in Yellow by Patrick Heron, Image 1.

    Patrick Heron

    Six in Vermilion with Green in Yellow, 1970

    Screenprint on paper

    28.25 x 39.75 in (71.76 x 100.97 cm)

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About the artist

Burt Hasen

American

As an artist based in New York, Hasen drew inspiration from his own experience working with maps as a military technician during World War II. Hasen studied at the Art Students League, at the school of the painter Hans Hofmann and, for two years after the war, in Paris on the G.I. Bill. During the war he served in the Air Force in the Pacific, where his duties involved close study of aerial maps, an activity that lastingly influenced his work. Hasen’s first solo show was at Galerie 8 in Paris in 1950. His first New York show was at the Hacker Gallery in 1952. He was later represented by Anita Shapolsky and had his last show in New York at the Hugo de Pagano Gallery in 1997. Hasen taught at the School of Visual Arts from 1954 until his retirement in 2000.