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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Belœil, Belgium by Lynn Geesaman, Image 1.

    Lynn Geesaman

    Belœil, Belgium, 2004

    Chromogenic print

    28 x 28 in (71.12 x 71.12 cm)

  2. Atlas Moth by Keith Carter, Image 1.

    Keith Carter

    Atlas Moth, 1990

    Gelatin silver print

    8 x 8 in (20.32 x 20.32 cm)

  3. Afleck by Frank Faulkner, Image 1.

    Frank Faulkner

    Afleck, 1989

    Acrylic on canvas

    72 x 72 in (182.88 x 182.88 cm)

  4. National Guard Trainer by Roger Manley, Image 1.

    Roger Manley

    National Guard Trainer, 1984

    Gelatin silver print

    9.75 x 9.75 in (24.77 x 24.77 cm)

  5. Chance and Order VI by Kenneth Martin, Image 1.

    Kenneth Martin

    Chance and Order VI, 1977

    Screenprint on paper

    27 x 27 in (68.58 x 68.58 cm)

  6. Peter MacGill

    Untitled, 1976-1977

    Gelatin silver print

    6 x 6 in (15.24 x 15.24 cm)

  7. Triangle Between Infinities - 2 by Tchah-Sup Kim, Image 1.

    Tchah-Sup Kim

    Triangle Between Infinities - 2, 1976

    Etching on paper

    17.5 x 17.5 in (44.45 x 44.45 cm)

  8. BA-1 by Norman Ives, Image 1.

    Norman Ives

    BA-1, 1970

    Relief embossing on paper

    18 x 18 in (45.72 x 45.72 cm)

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About the artist

Max Bill

Swiss

1908-1994

Max Bill (1908-1994) was a Swiss sculptor, painter, typographer, and teacher. He studied at the Kunstgewerbeschule in Zürich and the famous Bauhaus under Josef Albers, Wassily Kandinsky, and Paul Klee. He later co-founded the Ulm School of Arts and Crafts, where he was the head of the architecture and product design departments during the 1950s. His works are abstract and rely on mathematics and geometric problems such as the Möbius strip. Bill was a trendsetter in Swiss design and concrete art, and his influence spread as far as South America.