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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. JSH by Ryan O'Malley, Image 1.

    Ryan O'Malley

    JSH, 2008

    Lithograph on paper

    29.875 x 21.75 in (75.88 x 55.25 cm)

  2. Echoes of War by Stanley William Hayter, Image 1.

    Stanley William Hayter

    Echoes of War, 1979

    Engraving on paper

    10 x 8.5 in (25.4 x 21.59 cm)

  3. Three Trees by Adrian Van Suchtelen, Image 1.

    Adrian Van Suchtelen

    Three Trees, 1978

    Etching on paper

    6.5 x 9 in (16.51 x 22.86 cm)

  4. States of Mind V by Keith Achepohl, Image 1.

    Keith Achepohl

    States of Mind V, 1975

    Lithograph on paper

    22 x 18 in (55.88 x 45.72 cm)

  5. Kasbah by Julian Trevelyan, Image 1.

    Julian Trevelyan

    Kasbah, 1973-1974

    Etching on paper

    30.5 x 23.375 in (77.47 x 59.37 cm)

  6. Lift by Herb Jackson, Image 1.

    Herb Jackson

    Lift, 1973

    Lithograph on paper

  7. The Deserted Garden by John Muench, Image 1.

    John Muench

    The Deserted Garden, 1969

    Lithograph with poem by William Anderson on paper

    21.125 x 16.75 in (53.66 x 42.55 cm)

  8. Landscape by John Edward Heliker, Image 1.

    John Edward Heliker

    Landscape, c. 1960

    Lithograph on paper

    10 x 12.625 in (25.4 x 32.07 cm)

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About the artist

Max Bill

Swiss

1908-1994

Max Bill (1908-1994) was a Swiss sculptor, painter, typographer, and teacher. He studied at the Kunstgewerbeschule in Zürich and the famous Bauhaus under Josef Albers, Wassily Kandinsky, and Paul Klee. He later co-founded the Ulm School of Arts and Crafts, where he was the head of the architecture and product design departments during the 1950s. His works are abstract and rely on mathematics and geometric problems such as the Möbius strip. Bill was a trendsetter in Swiss design and concrete art, and his influence spread as far as South America.