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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Calla Lilies by Joyce Tenneson, Image 2.

    Joyce Tenneson

    Calla Lilies, 2020

    Archival pigment print

    22 x 17 in (55.88 x 43.18 cm)

  2. Steve P. Mosch

    Pilings, Construction Site I; Savanna, GA, 1993

    Chromogenic print

    20 x 16 in (50.8 x 40.64 cm)

  3. Untitled by A.R. Ammons, Image 1.

    A.R. Ammons

    Untitled, 1978

    Watercolor and ink on Arches paper

    24 x 18 in (60.96 x 45.72 cm)

  4. Untitled by A.R. Ammons, Image 1.

    A.R. Ammons

    Untitled, 1978

    Watercolor and ink on Arches paper

    24 x 18 in (60.96 x 45.72 cm)

  5. Iberian by Herb Jackson, Image 1.

    Herb Jackson

    Iberian, 1975

    Etching on paper

    22.25 x 29.625 in (56.52 x 75.25 cm)

  6. Artichokes by Laura Grosch, Image 1.

    Laura Grosch

    Artichokes, 1973

    Lithograph on paper

  7. Evening Song by David A. Bumbeck, Image 1.

    David A. Bumbeck

    Evening Song, 1969

    Etching on paper

    14.5 x 20.75 in (36.83 x 52.71 cm)

  8. Jimmy Savo by Philippe Halsman, Image 1.

    Philippe Halsman

    Jimmy Savo, 1952

    Gelatin silver print

    10 x 7.875 in (25.4 x 20.0 cm)

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About the artist

Harry Callahan

American

1912-1999

American photographer. Born in Detroit, Michigan, Callahan worked at Chrysler, and then studied engineering at Michigan State University. He eventually dropped out and began to pursue self-taught photography in 1938. Callahan was inspired by a lecture given by Ansel Adams in 1941, and from that point on, he was inspired to work on hisphotgraphic skills more seriously. He later moved to Rhode Island in 1961 and established a photography program at the Rhode Island School of Design. He taught there until his retirement in 1977. In 1996, Callahan was awarded the National Medal of Arts.