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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Carol Soffer by Andy Warhol, Image 1.

    Andy Warhol

    Carol Soffer, 1980

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  2. Untitled by A.R. Ammons, Image 1.

    A.R. Ammons

    Untitled, 1978

    Watercolor and ink on Arches paper

    24 x 18 in (60.96 x 45.72 cm)

  3. Drawer by Robert Ecker, Image 2.

    Robert Ecker

    Drawer, 1978

    Mezzotint on paper

    10 x 8 in (25.4 x 20.32 cm)

  4. Six in Vermilion with Red in Red by Patrick Heron, Image 1.

    Patrick Heron

    Six in Vermilion with Red in Red, 1970

    Screenprint on paper

    28 x 40 in (71.12 x 101.6 cm)

  5. Lauritz Melchior by Philippe Halsman, Image 1.

    Philippe Halsman

    Lauritz Melchior, 1944

    Gelatin silver print

    13.875 x 10.875 in (35.24 x 27.62 cm)

  6. Robert Taylor by George Hurrell, Image 1.

    George Hurrell

    Robert Taylor, c. 1936

    Gelatin silver print

    48 x 36 in (121.92 x 91.44 cm)

  7. Chinese Blue and White Porcelain Plaque, Kangxi Period by Unknown, Image 1.

    Unknown

    Chinese Blue and White Porcelain Plaque, Kangxi Period, ca. 1662-1772

    Porcelain

    7.5 x 10.25 in (19.05 x 26.04 cm)

  8. Richard Ross

    Part of Compression Series, 2001-2002

    Chromogenic print

    10 x 24 in (25.4 x 60.96 cm)

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About the artist

Reginald Pollack

American

1921-2001

Reginald Pollack first studied art under Moses Soyer at the High School of Music and Art in New York. He served in World War II in the 87th Mountain Infantry, and post-war, Pollack studied the G.I. Bill in Paris and lived there until 1961. He began exhibiting works during the early 1950’s at the Peridot Gallery in New York where he also taught at Cooper Union and Yale University. Later, Pollack settled in Los Angeles in 1963 and exhibited at the Felix Landau and Jefferson Galleries. His works represent heavy influence by Cézanne and Bonnard with themes ranging from portraits to landscapes, as well as metaphysical images. In the early 1960’s, he developed a more efficient method of creating lithographs by utilizing a special plastic base. His works can be found at the Metropolitan Museum of Art, the Stanford University Museum of Art and many other museums.