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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Bank Tellers of America versus The Aryan Republican Army (1992-1996) by Tyler Starr, Image 6.

    Tyler Starr

    Bank Tellers of America versus The Aryan Republican Army (1992-1996), 2021

    Pigment prints on Moab Entrada Rag Bright 190 gm. Custom hardcover case binding with hinged foldout front and back covers using inlaid magnets.

    8.75 x 10.25 x 1.25 in (22.23 x 26.04 x 3.18 cm)

  2. Green House by Barbara Schreiber, Image 2.

    Barbara Schreiber

    Green House, 2018

    Acrylic on paper

    22 x 30 in (55.88 x 76.2 cm)

  3. Steve P. Mosch

    Pilings, Construction Site I; Savanna, GA, 1993

    Chromogenic print

    20 x 16 in (50.8 x 40.64 cm)

  4. Mr. Berger (German) by Andy Warhol, Image 1.

    Andy Warhol

    Mr. Berger (German), 1979

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  5. Karel Appel

    Luminous Cat, 1978

    Lithograph on paper

  6. The Tree #36, Martha's Vineyard, from RISD Portfolio by Aaron Siskind, Image 1.

    Aaron Siskind

    The Tree #36, Martha's Vineyard, from RISD Portfolio, 1973

    Gelatin silver print mounted to drawing board

    6.5 x 6.75 in (16.51 x 17.15 cm)

  7. Orpheus, Stages of an Image by Varujan Boghosian, Image 1.

    Varujan Boghosian

    Orpheus, Stages of an Image, c. 1970

    Woodcut on paper

    30 x 22.25 in (76.2 x 56.52 cm)

  8. Double Portrait by Alex Katz, Image 1.

    Alex Katz

    Double Portrait, c. 1963

    Lithograph on paper

    16.575 x 20.875 in (42.1 x 53.02 cm)

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About the artist

Minna Wright Citron

American

1896-1991

Painter and printmaker native to New York. Citron was born in Brooklyn and studied at the Art Students League alongside John Sloan and Kenneth Hayes Miller, both of whom influenced her works later on. She had her first solo show at the New School for Social Research in 1930. In 1934, Citron began working with the 14th Street School, a small group of Realist painters such as Moses and Raphael Soyer. She painted murals for the Works Progress Administration before permanently switching to an abstract style. Her works can be found in the Metropolitan Museum of Art, the Whitney Museum of American Art, and the National Museum of American Art.