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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Iris Heillman Schupp, Woman Airforce Pilot, WWII by Anne Noggle, Image 1.

    Anne Noggle

    Iris Heillman Schupp, Woman Airforce Pilot, WWII, 1986

    Silver gelatin print

    20 x 16 in (50.8 x 40.64 cm)

  2. Candy Mountain Two by Richard Black, Image 1.

    Richard Black

    Candy Mountain Two, 1982

    Lithograph on paper

    15.25 x 11.25 in (38.74 x 28.58 cm)

  3. Tiger Lilly by Sigmund Abeles, Image 1.

    Sigmund Abeles

    Tiger Lilly, 1978

    Lithograph on paper

    15.25 x 22 in (38.74 x 55.88 cm)

  4. Untitled, from Jamaica Botanical Series by William Eggleston, Image 1.

    William Eggleston

    Untitled, from Jamaica Botanical Series, c. 1978

    Chromogenic print

    13.875 x 16.875 in (35.24 x 42.86 cm)

  5. Small Window at Night by Patrick Caulfield, Image 1.

    Patrick Caulfield

    Small Window at Night, 1976

    Screenprint on paper

    39.5 x 29.25 in (100.33 x 74.3 cm)

  6. Aspen Tree by Brett Weston, Image 1.

    Brett Weston

    Aspen Tree, 1972

    Vintage gelatin silver print, with original negative envelope

    9.9375 x 7.9375 in (25.24 x 20.16 cm)

  7. Irina by David A. Bumbeck, Image 1.

    David A. Bumbeck

    Irina, 1969

    Etching on paper

    10.75 x 7.75 in (27.31 x 19.69 cm)

  8. Paradise Suite - Mulberry by Robyn Denny, Image 1.

    Robyn Denny

    Paradise Suite - Mulberry, 1969

    Screenprint on paper

    30.25 x 25.75 in (76.84 x 65.41 cm)

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About the artist

Barbara Morgan

American

1900-1992

Born in Buffalo, Kansas, and raised in Southern California, Barbara Morgan attended UCLA and taught design, woodcut, and painting there. After attending a performance by the fledgling Martha Graham Company, Morgan began to work on a book of photographs capturing Graham’s dancers. After this, she continued to photograph other modern dancers, capturing individual, fleeting moments and turning them timeless. Morgan is also remembered as a co-founder of Aperture magazine in 1951, one of the few publications at the time to nurture a dialogue among photographers and treat photography as a fine art. Her works are held in the collections of the National Portrait Gallery in Washington, D.C., The Museum of Modern Art in New York, and the National Gallery of Canada in Ottawa, among others.