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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Genie (Peony) by Jiha Moon, Image 2.

    Jiha Moon

    Genie (Peony), 2019

    Lithograph, screenprint and nail decals

    26.75 x 21 in (67.95 x 53.34 cm)

  2. Quincy, Mass. by Rachel Phillips, Image 1.

    Rachel Phillips

    Quincy, Mass., 2010

    Wet-transfer pigment print onto vintage (1895) envelope

    3.6875 x 4.8 in (9.37 x 12.19 cm)

  3. Terror Firma: See, Flee by Ryan O'Malley, Image 1.

    Ryan O'Malley

    Terror Firma: See, Flee, 2009

    Screenprint on paper

    14.25 x 22 in (36.2 x 55.88 cm)

  4. Coffie Mug by Gene Merritt, Image 1.

    Gene Merritt

    Coffie Mug, 2006

    Ink and pencil on paper

    11 x 8.5 in (27.94 x 21.59 cm)

  5. Four Horsemen of the Apocalypse #7 by Paul Pfeiffer, Image 1.

    Paul Pfeiffer

    Four Horsemen of the Apocalypse #7, 2002

    Digital Duraflex print

    12 x 15 in (30.48 x 38.1 cm)

  6. Interieur Venitien by André Masson, Image 1.

    André Masson

    Interieur Venitien, 1975

    Lithograph on paper

    26 x 20 in (66.04 x 50.8 cm)

  7. Sculptures I by Joan Miró, Image 1.

    Joan Miró

    Sculptures I, 1974

    Color lithograph on paper

    11 x 22 in (27.94 x 55.88 cm)

  8. Untitled, from Kunstmarkt Köln by Friedrich Meckseper, Image 1.

    Friedrich Meckseper

    Untitled, from Kunstmarkt Köln, 1969

    Etching and aquatint on paper

    12.25 x 16.5 in (31.12 x 41.91 cm)

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About the artist

Barbara Morgan

American

1900–1992

Born in Buffalo, Kansas, and raised in Southern California, Barbara Morgan attended UCLA and taught design, woodcut, and painting there. After attending a performance by the fledgling Martha Graham Company, Morgan began to work on a book of photographs capturing Graham’s dancers. After this, she continued to photograph other modern dancers, capturing individual, fleeting moments and turning them timeless. Morgan is also remembered as a co-founder of Aperture magazine in 1951, one of the few publications at the time to nurture a dialogue among photographers and treat photography as a fine art. Her works are held in the collections of the National Portrait Gallery in Washington, D.C., The Museum of Modern Art in New York, and the National Gallery of Canada in Ottawa, among others.