Skip to profile content
Discovery
Log In
Viewing collection Photography Clear context

Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Nest No. 2 (Nido no. 2), from the portfolio Borders and Belonging by Susan Harbage Page, Image 1.

    Susan Harbage Page

    Nest No. 2 (Nido no. 2), from the portfolio Borders and Belonging, 2011

    Color inkjet print on cotton rag paper

    17 x 22 in (43.18 x 55.88 cm)

  2. Foundation, Reynes Street by Sara VanDerBeek, Image 1.

    Sara VanDerBeek

    Foundation, Reynes Street, 2010

    Digital Chromogenic print

    15.625 x 20 in (39.69 x 50.8 cm)

  3. Ernesto Bazan

    Sugarcane Cutter, Bejucal, Cuba, 2000

    Silver gelatin print

    20 x 24 in (50.8 x 60.96 cm)

  4. William Hall Strode

    Barbara Martin Reflected in Mirror, Appalachia/Kentucky, 1987

    Chromogenic print

    11 x 14 in (27.94 x 35.56 cm)

  5. Jon Gould by Andy Warhol, Image 2.

    Andy Warhol

    Jon Gould, 1982

    Gelatin silver print

    10 x 8 in (25.4 x 20.32 cm)

  6. Unidentified Woman (Short Dark Hair) by Andy Warhol, Image 1.

    Andy Warhol

    Unidentified Woman (Short Dark Hair), 1980

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  7. Todd Webb

    Bar Entrance, Mexico City, 1962

    Gelatin silver print mounted to board

    13.5 x 10.5 in (34.29 x 26.67 cm)

  8. Bianca Jagger, Steve Rubell, and Unidentified Man by Andy Warhol, Image 1.

    Andy Warhol

    Bianca Jagger, Steve Rubell, and Unidentified Man, No date

    Gelatin silver print

    8 x 10 in (20.32 x 25.4 cm)

View All Artworks

About the artist

Barbara Morgan

American

1900–1992

Born in Buffalo, Kansas, and raised in Southern California, Barbara Morgan attended UCLA and taught design, woodcut, and painting there. After attending a performance by the fledgling Martha Graham Company, Morgan began to work on a book of photographs capturing Graham’s dancers. After this, she continued to photograph other modern dancers, capturing individual, fleeting moments and turning them timeless. Morgan is also remembered as a co-founder of Aperture magazine in 1951, one of the few publications at the time to nurture a dialogue among photographers and treat photography as a fine art. Her works are held in the collections of the National Portrait Gallery in Washington, D.C., The Museum of Modern Art in New York, and the National Gallery of Canada in Ottawa, among others.