Skip to profile content
Discovery
Log In
Viewing artist Barbara Morgan Clear context

Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Funkia Leaf by Barbara Morgan, Image 1.

    Barbara Morgan

    Funkia Leaf, 1983

    Gelatin silver print

    19.875 x 15.75 in (50.48 x 40.01 cm)

  2. Wild-Bee-Honeycomb Skyscraper by Barbara Morgan, Image 1.

    Barbara Morgan

    Wild-Bee-Honeycomb Skyscraper, 1973

    Gelatin silver print

    15.75 x 19.625 in (40.01 x 49.85 cm)

  3. Fossil in Formation by Barbara Morgan, Image 1.

    Barbara Morgan

    Fossil in Formation, 1965

    Gelatin silver print

    15.875 x 19.875 in (40.32 x 50.48 cm)

  4. Amaryllis Seed Pod by Barbara Morgan, Image 1.

    Barbara Morgan

    Amaryllis Seed Pod, 1943

    Gelatin silver print

    15.875 x 19.625 in (40.32 x 49.85 cm)

  5. Martha Graham - Letter To The World by Barbara Morgan, Image 1.

    Barbara Morgan

    Martha Graham - Letter To The World, 1940

    Gelatin silver print

    20 x 16 in (50.8 x 40.64 cm)

  6. Martha Graham - El Penitente, Solo, Erick Hawkins - El Flagellante by Barbara Morgan, Image 1.

    Barbara Morgan

    Martha Graham - El Penitente, Solo, Erick Hawkins - El Flagellante, 1940

    Gelatin silver print

    19.75 x 15.875 in (50.17 x 40.32 cm)

  7. Hearst Over The People by Barbara Morgan, Image 1.

    Barbara Morgan

    Hearst Over The People, 1939

    Gelatin silver print

    15.75 x 19.875 in (40.01 x 50.48 cm)

  8. City Street by Barbara Morgan, Image 1.

    Barbara Morgan

    City Street, 1937

    Gelatin silver print

    15.75 x 19.625 in (40.01 x 49.85 cm)

View All Artworks

About the artist

Barbara Morgan

American

1900–1992

Born in Buffalo, Kansas, and raised in Southern California, Barbara Morgan attended UCLA and taught design, woodcut, and painting there. After attending a performance by the fledgling Martha Graham Company, Morgan began to work on a book of photographs capturing Graham’s dancers. After this, she continued to photograph other modern dancers, capturing individual, fleeting moments and turning them timeless. Morgan is also remembered as a co-founder of Aperture magazine in 1951, one of the few publications at the time to nurture a dialogue among photographers and treat photography as a fine art. Her works are held in the collections of the National Portrait Gallery in Washington, D.C., The Museum of Modern Art in New York, and the National Gallery of Canada in Ottawa, among others.