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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Repetition of the Heaven of Disruption by Erik Waterkotte, Image 4.

    Erik Waterkotte

    Repetition of the Heaven of Disruption, 2011

    Four-color process print on wire-bound artist book

    8.625 x 9 in (21.91 x 22.86 cm)

  2. Just and Actor, 2001 by Gene Merritt, Image 1.

    Gene Merritt

    Just and Actor, 2001, 2001

    Ink on paper

    12 x 9 in (30.48 x 22.86 cm)

  3. Mariandynae Flux Encounter by Alan Saret, Image 2.

    Alan Saret

    Mariandynae Flux Encounter, 1983

    Pencil on paper

    22.5 x 30 in (57.15 x 76.2 cm)

  4. Yellow, Red and Black for Lorca by Terry Frost, Image 1.

    Terry Frost

    Yellow, Red and Black for Lorca, 1981

    Screenprint on paper

    30.5 x 22.5625 in (77.47 x 57.31 cm)

  5. The Meeting by Graham Ovenden, Image 1.

    Graham Ovenden

    The Meeting, 1972

    Etching and aquatint on paper

    24.9375 x 20 in (63.34 x 50.8 cm)

  6. Martha Dunbar, Lake Mary by William R. Ferris, Image 1.

    William R. Ferris

    Martha Dunbar, Lake Mary, 1968

    Gelatin silver print

    17 x 11 in (43.18 x 27.94 cm)

  7. Glynis Johns by Philippe Halsman, Image 2.

    Philippe Halsman

    Glynis Johns, 1953

    Gelatin silver print

    13.875 x 11 in (35.24 x 27.94 cm)

  8. Le sens des Gargouillemens by Jean-Francois Bernard, Image 1.

    Jean-Francois Bernard

    Le sens des Gargouillemens, c. 1832

    Hand-colored lithograph on paper

    7 x 10.5 in (17.78 x 26.67 cm)

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About the artist

André Kertész

Hungarian

1894-1985

Hungarian photographer. First began photographing while working as a clerk at the Budapest stock exchange in 1912. From 1925 he freelanced in Paris before moving to NYC in 1936 to photograph for magazines such as House and Garden of architecture and interiors. When he retired at age sixty-eight then he was able to return to his amateur days of photographing whatever it is his heart desired.