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From Van Every/Smith Galleries at Davidson College

  1. Be Good to Your Mother by Diana Al-Hadid, Image 1.

    Diana Al-Hadid

    Be Good to Your Mother, 2023

    Polymer gypsum, fiberglass, steel, plaster, metal leaf and pigment

    58.25 x 64.25 x 3.5 in (147.96 x 163.2 x 8.89 cm)

  2. Segregated Balcony, Presbyterian Church, Charlotte, NC by Linda Foard Roberts, Image 1.

    Linda Foard Roberts

    Segregated Balcony, Presbyterian Church, Charlotte, NC, 2016

    Gelatin silver print

    28 x 24 in (71.12 x 60.96 cm)

  3. The Future is Unwritten x Robert Rauschenberg Foundation by Shepard Fairey, Image 2.

    Shepard Fairey

    The Future is Unwritten x Robert Rauschenberg Foundation, 2011

    Screenprint on paper

    24 x 18 in (60.96 x 45.72 cm)

  4. Campbell-Hasmire Sheep, Near Edwards, Colorado by Thomas Neff, Image 1.

    Thomas Neff

    Campbell-Hasmire Sheep, Near Edwards, Colorado, 1986

    Gelatin silver print

    13 x 18 in (33.02 x 45.72 cm)

  5. Three Blue Areas by James Coignard, Image 1.

    James Coignard

    Three Blue Areas, 1980

    Carborundum etching on paper

    25.75 x 29.5 in (65.41 x 74.93 cm)

  6. Mostly Mozart by Gene Davis, Image 1.

    Gene Davis

    Mostly Mozart, 1975

    Color silkscreen on paper

    25.75 x 57 in (65.41 x 144.78 cm)

  7. Another August by George Lockwood, Image 1.

    George Lockwood

    Another August, 1969

    Lithograph with poem by James Merrill

    19.875 x 23.75 in (50.48 x 60.33 cm)

  8. Untitled by Simmons Jones, Image 1.

    Simmons Jones

    Untitled, 1965

    Offset print on paper mounted to board

    14.375 x 10.375 in (36.51 x 26.35 cm)

About the artist

Allan Simpson

Canadian

b. 1935