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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Sherwin's Kinetic Contrasts 20 by Joelle Dietrick, Image 1.

    Joelle Dietrick

    Sherwin's Kinetic Contrasts 20, 2011

    Pigment inks on Hahnemuhle PhotoRag 308g

    19.75 x 27.5 in (50.17 x 69.85 cm)

  2. Untitled #68 by Hellen van Meene, Image 1.

    Hellen van Meene

    Untitled #68, 2001

    Chromogenic print

    15.375 x 15.375 in (39.05 x 39.05 cm)

  3. Karel Appel

    Innocent Cat, 1978

    Lithograph on paper

  4. Drawer by Robert Ecker, Image 2.

    Robert Ecker

    Drawer, 1978

    Mezzotint on paper

    10 x 8 in (25.4 x 20.32 cm)

  5. Fugue II by William Turnbull, Image 1.

    William Turnbull

    Fugue II, 1971

    Screenprint on paper

    23.625 x 31.5 in (60.01 x 80.01 cm)

  6. Untitled by Juan Genovés, Image 1.

    Juan Genovés

    Untitled, 1970

    Etching on paper

    19.875 x 25.9375 in (50.48 x 65.88 cm)

  7. Arthur Segal

    Untitled, No date

    Woodcut on paper

    11.125 x 15.375 in (28.26 x 39.05 cm)

  8. View of the Palazzo della Consulta on the Quirinal housing the Papal Secretariat, from Views of Rome by Giovanni Battista Piranesi, Image 2.

    Giovanni Battista Piranesi

    View of the Palazzo della Consulta on the Quirinal housing the Papal Secretariat, from Views of Rome, 1760-1778

    Etching on paper

    19.125 x 27.5625 in (48.58 x 70.01 cm)

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About the artist

Kenneth Martin

British

1905-1989

British painter and sculptor. Led the revival of Constructivist Art in the 1940s. Studied at the Royal College of Art in 1929-1932. Became an abstract painter and sculptor after nearly two decades of painting Realist portraits and landscapes—a radical shift to abstract from material, non-representational from representational, geometric from organic. Heavily influenced by Kazimir Malevich, the father of Constructivism, and Alexander Calder, an American sculptor known for his innovative mobiles. Created geometric abstract works in both painting and kinetic sculpture.