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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. New York by Ewan Gibbs, Image 1.

    Ewan Gibbs

    New York, 2007

    Linocut on paper

    23.25 x 16.5 in (59.06 x 41.91 cm)

  2. New York 32 by Aaron Siskind, Image 2.

    Aaron Siskind

    New York 32, 1986

    Gelatin silver print

    11 x 14 in (27.94 x 35.56 cm)

  3. English Tea Cup by Richard Black, Image 1.

    Richard Black

    English Tea Cup, 1983

    Lithograph on paper

    15 x 17.75 in (38.1 x 45.09 cm)

  4. Orpheus, Stages of an Image by Varujan Boghosian, Image 1.

    Varujan Boghosian

    Orpheus, Stages of an Image, c. 1970

    Woodcut on paper

    30 x 22.25 in (76.2 x 56.52 cm)

  5. Ed Sullivan by Philippe Halsman, Image 1.

    Philippe Halsman

    Ed Sullivan, 1967

    Gelatin silver print

    11 x 13.75 in (27.94 x 34.93 cm)

  6. Lucille Ball by Philippe Halsman, Image 1.

    Philippe Halsman

    Lucille Ball, 1950

    Gelatin silver print

    14 x 11 in (35.56 x 27.94 cm)

  7. Japanese Lacquer Tray with Geese by Unknown, Image 1.

    Unknown

    Japanese Lacquer Tray with Geese, 19th C.

    Black lacquer with maki-e

    12 x 12 in (30.48 x 30.48 cm)

  8. Hilton Head Baptism by Roger Manley, Image 1.

    Roger Manley

    Hilton Head Baptism

    Gelatin silver print

    9.5 x 9.875 in (24.13 x 25.08 cm)

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About the artist

Carmen Louis Cicero

American

b. 1926

American artist. Cicero studied at Hunter College alongside Robert Motherwell and Hans Hofmann. His early drawings and works were based on his memories of places, but after losing all his works in a fire, Cicero moved to New York City to start anew. Here, he evolved a unique style characterized by figural distortion and cartoonlike scenes. Originally, Cicero's work was surrealist in style, however, over time his work aligned with Chicago Imagism of the 1970s and Neo-Expressionism.