Gallery Purchase during the 2016 Art Acquisition Party with contributions from Malu Alvarez ’02, Jane Avinger, Susan Beaumont, Armando Bellmas, Lydia Bittner-Baird, Chai Lu Bohannan ’14, Elizabeth Bradford, Caroline Brooks ’15, Im Chan, John Christian, Howard Daniel ’72, Dan Drayer, Rosemary Droney, Jennifer Sudul Edwards, Emily Mehta Farlow ’11, Donna Ferguson, John Ferraris, Monica King Friel, Anna Grumman ’19, Kate Hall ’16, Richard C. Halton ’77, Elizabeth Harry ’14, Scott Harry, Stephanie Glaser ’92 & Thomas Hazel ’92, Burkhard Henke, Joan C. Huntley, John David Ike ’13, Caitlin James ’14, Chandra and Jimmie Johnson, Amy Clemmons King ’97, Jamie Knowles ’10, Nan & Bill Loftin ’81, Fred Lopp ’63, Frank Lord ’89, Susan Norman McAlister ’85, Dan McLawhorn ’70 & Rob Hazelgrove, Louise Mohamed, Kate Nation, Sherry Nelson, Ginny Newell ’78, Madeline Newman, Lia Newman, Sara Nordstrand ’14, Elena M. Paul ’85, Annie Porges, Tatum Pottenger ’14, Sara Pottenger ’79, Jeff Prince, Julia Rich ’14, Sam Riehl ’15, Barbara Schreiber, Lucy Sexton ’16, Holly Sinkway, Tom and Kathe Stanley, Elizabeth Stern, Mary Taibl, Brad Thomas, Ian Thomson ’15, Bob Trotman, Linda Vista, and Russ & Lyn Bolen Warren ’83.
Shoshanna Weinberger catalogues her public and private experiences growing up in a society obsessed with particular notions of beauty.
The misshapen figure in Busted Seams 36DD teeters on a single leg in a high-heeled shoe, her body composed mostly of multiple breasts and loops of braided hair wrapped in gold chains—a simplified, almost animalistic, sexualized depiction of a woman. The chains could be interpreted as the psychological trappings associated with female beauty, or, more literally for the biracial artist, a reference to America’s history with slavery. The title makes reference to Weinberger’s own bra size, tying her identity directly to the figure in the artwork, and reflecting the artist’s internal conflict around body image, race, and gender.
Bibliography
Anania, Billy. "Newark Artist Showing 'Strangefruit' in Jersey City: Grid Work is Inspired by Fashion, Social Discourse." Asbury Park Press, Feb 25 2018, ProQuest. Web. 28 July 2020 .
Coussonnet, Clelia. “1st BIAC Martinique: Exclusive Interview of Shoshanna Weinberger, Jamaican-American Artist.” 7 Dec. 2013.
Newman, Lia & Tyler Starr. Material Matters: Water, Pigment, and Light. Davidson, North Carolina: Van Every/Smith Galleries, Davidson College, 2016.
Richardson, Jared. “Attack of the Boogeywoman: Visualizing Black Women’s Grotesquerie in Afrofuturism.” Art Papers Magazine, vol. 36, no. 6, Nov. 2012, pp. 18–22. EBSCOhost.
Wallace, Anya. “Pleasure (Re)Collected By Young Black Women and Girls in The Vibrator Project.” The Pennsylvania State University School of Visual Arts Art Education Program, August 2013.
Blog Post: Psychology 101 Culture Points, Connecting Social Science to the Arts by Alice Berndt ‘22
Blog Post: Seen at the Bechtler, Surrealist Art on Loan by Gaby Sanclimenti ‘25
