Skip to profile content
Discovery
Log In

Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. The Deed of Transformation by Nellie Ashford Rawls, Image 1.

    Nellie Ashford Rawls

    The Deed of Transformation, 2022

    Paint, fabric, wood filings, sand, collaged paper, and found objects on canvas

    48 x 48 in (121.92 x 121.92 cm)

  2. Woman Dancing for Small Crowd, Trixies, NYC, Social Context by Larry Fink, Image 1.

    Larry Fink

    Woman Dancing for Small Crowd, Trixies, NYC, Social Context, 1990

    Gelatin silver print

    19.875 x 15.875 in (50.48 x 40.32 cm)

  3. Mary Lee and Belinda by Andy Warhol, Image 1.

    Andy Warhol

    Mary Lee and Belinda, 1980

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  4. Bats by Dieter Roth, Image 1.

    Dieter Roth

    Bats, 1978

    Offset print

    19.8125 x 13.875 in (50.32 x 35.24 cm)

  5. Memory of a Porch by John Grazier, Image 1.

    John Grazier

    Memory of a Porch, 1976

    Lithograph on paper

    22 x 30 in (55.88 x 76.2 cm)

  6. The Second of Six Images for J by Bernard Cohen, Image 1.

    Bernard Cohen

    The Second of Six Images for J, 1976

    Lithograph on paper

    18 x 36.25 in (45.72 x 92.08 cm)

  7. Delta by Herb Jackson, Image 1.

    Herb Jackson

    Delta, 1974

    Lithograph on paper

  8. The General by Patricia Madsen-Conant, Image 1.

    Patricia Madsen-Conant

    The General, 1969

    Wood engraving with poem by Robert D'Amato

    16.125 x 11.25 in (40.96 x 28.58 cm)

View All Artworks

About the artist

William Scott

British

1913-1989

British painter. Known for his non-objective works that explore the space between abstraction and figuration due to his interest in themes of still-life, landscape and the female nude. Attended the Belfast School of Art before painting at the Royal Academy Schools. Exhibited at the Paris Salon d’Automne, 1938. Joined the army in July 1942 with the Royal Army Ordnance Corps and then as a lithographic draughtsman with the Royal Engineers. Taught at the Bath Academy of Art as Senior Painting Master before painting full-time from 1956 onward. Represented Great Britain at the 1958 Venice Biennale and at the 1961 São Paulo Bienal where he won the Sanbra (International Critics) Purchase Prize, amongst others.