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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. The Deed of Transformation by Nellie Ashford Rawls, Image 1.

    Nellie Ashford Rawls

    The Deed of Transformation, 2022

    Paint, fabric, wood filings, sand, collaged paper, and found objects on canvas

    48 x 48 in (121.92 x 121.92 cm)

  2. Long Horn Beetle, Family Cerambycidae, from the series Photographic Survey of the American Yard by Joshua White, Image 1.

    Joshua White

    Long Horn Beetle, Family Cerambycidae, from the series Photographic Survey of the American Yard, 2012

    Archival pigment print

    4 x 4 in (10.16 x 10.16 cm)

  3. Belœil, Belgium by Lynn Geesaman, Image 1.

    Lynn Geesaman

    Belœil, Belgium, 2004

    Chromogenic print

    28 x 28 in (71.12 x 71.12 cm)

  4. To Doug With Love by Kenneth Freed, Image 1.

    Kenneth Freed

    To Doug With Love, 2003

    Oil on panel

    11.875 x 11.875 in (30.16 x 30.16 cm)

  5. Atlas Moth by Keith Carter, Image 1.

    Keith Carter

    Atlas Moth, 1990

    Gelatin silver print

    8 x 8 in (20.32 x 20.32 cm)

  6. Four Winds by Bruce Erman, Image 1.

    Bruce Erman

    Four Winds, 1980

    Bleach on black paper

    30 x 30 in (76.2 x 76.2 cm)

  7. Chance and Order V by Kenneth Martin, Image 1.

    Kenneth Martin

    Chance and Order V, 1971

    Screenprint on paper

    27 x 27 in (68.58 x 68.58 cm)

  8. Woman in Red by the Stream by McKendree Robbins Long, Image 1.

    McKendree Robbins Long

    Woman in Red by the Stream, c. 1965

    Oil on canvas

    37 x 37 in (93.98 x 93.98 cm)

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About the artist

Chester Michalik

American

b. 1935

American photographer. Michalik received a BS from the Massachusetts College of Art and an MFA from Boston University. He has taught at Smith College and the Rhode Island School of Design. His photography projects in the most recent years have focused on contemporary urban Japan. In addition, he has worked on projects in Holyoke, MA, Las Vegas, Poland, and military air shows as propaganda. He works mostly in industrial settings and is focused on his own personal interpretations of subjects.