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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. The Song of Songs by Michael Rothenstein, Image 1.

    Michael Rothenstein

    The Song of Songs, 1979

    Screenprint on paper

    20.75 x 14.5 in (52.71 x 36.83 cm)

  2. Fall of Troy by Stanley William Hayter, Image 1.

    Stanley William Hayter

    Fall of Troy, 1979

    Engraving on paper

    15.75 x 11.5 in (40.01 x 29.21 cm)

  3. Passage IV by Peter Winslow Milton, Image 1.

    Peter Winslow Milton

    Passage IV, 1973

    Etching on paper

  4. Blue Field by William Scott, Image 1.

    William Scott

    Blue Field, 1972

    Screenprint on paper

    22.875 x 30.5 in (58.1 x 77.47 cm)

  5. In Paris by Kiyoshi Saito, Image 1.

    Kiyoshi Saito

    In Paris, 1961

    Woodblock on paper

    15.75 x 21.125 in (40.01 x 53.66 cm)

  6. Trees by Richard Mayhew, Image 1.

    Richard Mayhew

    Trees, c. 1960

    Lithograph on paper

    10 x 12.75 in (25.4 x 32.39 cm)

  7. L'Eglise A Travers Les Arbres by André Dunoyer de Segonzac, Image 1.

    André Dunoyer de Segonzac

    L'Eglise A Travers Les Arbres, 1954

    Etching on paper

    9 x 6.75 in (22.86 x 17.15 cm)

  8. Vielle Courtisane à la Fenêtre by Georges Rouault, Image 1.

    Georges Rouault

    Vielle Courtisane à la Fenêtre, 1937

    Aquatint on paper

    11.75 x 8.5 in (29.85 x 21.59 cm)

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About the artist

William Hogarth

British

1697–1764

London artist in 18th century, renowned for his portrait series, 'conversation pieces,' Hogarth studied under a goldsmith and produced engraved designs in 1710. His works pertained to satirical commentary on the contemporary norms. His work ranged from realistic portraiture to comic-strip like series of pictures called modern moral subjects, the best known being his moral series "A Harlot's Progress," "A Rake's Progress," and "Marriage A-La-Mode."