Skip to profile content
Discovery
Log In

Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Untitled I by Stephen Endres, Image 1.

    Stephen Endres

    Untitled I, 1978

    Lithograph on paper

    22.25 x 29.875 in (56.52 x 75.88 cm)

  2. Two Objects by John Wallace, Image 1.

    John Wallace

    Two Objects, 1974

    Lithograph on paper

    30 x 22 in (76.2 x 55.88 cm)

  3. Shaving Cream Interview by Joe Shannon, Image 1.

    Joe Shannon

    Shaving Cream Interview, 1971

    Acrylic on canvas

    48 x 48 in (121.92 x 121.92 cm)

  4. White and Silver Frame by Beverly Pepper, Image 1.

    Beverly Pepper

    White and Silver Frame, 1968

    Collage on paper

    19.25 x 27.875 in (48.9 x 70.8 cm)

  5. The Ascension of Christ and Mary by McKendree Robbins Long, Image 1.

    McKendree Robbins Long

    The Ascension of Christ and Mary, c. 1965

    Oil on canvas

    48 x 25.5 in (121.92 x 64.77 cm)

  6. Swimming in the Liffey, Dublin by Alen MacWeeney, Image 1.

    Alen MacWeeney

    Swimming in the Liffey, Dublin, 1963

    Archival pigment print

    19 x 13 in (48.26 x 33.02 cm)

  7. Harold Feinstein

    Sheep Under Clouds, Ringoes, NJ, from Photographer's Choice: Harold Feinstein-Decades Four, 1958

    Gelatin silver print

    14.125 x 11.125 in (35.88 x 28.26 cm)

  8. Unknown by Unknown, Image 1.

    Unknown

    Unknown, No date

    Pen and ink on paper mounted to board

    5.75 x 3.75 in (14.61 x 9.53 cm)

View All Artworks

About the artist

Barbara Morgan

American

1900-1992

Born in Buffalo, Kansas, and raised in Southern California, Barbara Morgan attended UCLA and taught design, woodcut, and painting there. After attending a performance by the fledgling Martha Graham Company, Morgan began to work on a book of photographs capturing Graham’s dancers. After this, she continued to photograph other modern dancers, capturing individual, fleeting moments and turning them timeless. Morgan is also remembered as a co-founder of Aperture magazine in 1951, one of the few publications at the time to nurture a dialogue among photographers and treat photography as a fine art. Her works are held in the collections of the National Portrait Gallery in Washington, D.C., The Museum of Modern Art in New York, and the National Gallery of Canada in Ottawa, among others.