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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Process of Fayth by Ryan O'Malley, Image 1.

    Ryan O'Malley

    Process of Fayth, 2008

    Lithograph on paper

    29 x 41.75 in (73.66 x 106.05 cm)

  2. WOW, Butiful, 20 by Gene Merritt, Image 1.

    Gene Merritt

    WOW, Butiful, 20, 2000

    Ink on paper

    11 x 8.5 in (27.94 x 21.59 cm)

  3. Harlem Globe Trotters by Oscar DeMejo, Image 1.

    Oscar DeMejo

    Harlem Globe Trotters, 1980

    Silkscreen on paper

    22.5 x 27.8125 in (57.15 x 70.64 cm)

  4. A Gate for the City by David Sharir, Image 1.

    David Sharir

    A Gate for the City, 1979

    Screenprint on paper

    23.375 x 29.9375 in (59.37 x 76.04 cm)

  5. Figures and Crosses by Nicholas Monro, Image 1.

    Nicholas Monro

    Figures and Crosses, 1970

    Screenprint on paper

    27.5625 x 40.4375 in (70.01 x 102.71 cm)

  6. Split Complimentary by Don Mahy, Image 1.

    Don Mahy

    Split Complimentary, 1964

    Oil pastel on paper

    11.5 x 14 in (29.21 x 35.56 cm)

  7. Tisza-Szalka, from A Hungarian Memory Portfolio by André Kertész, Image 1.

    André Kertész

    Tisza-Szalka, from A Hungarian Memory Portfolio, 1924

    Gelatin silver print

    8 x 9.875 in (20.32 x 25.08 cm)

  8. Country Accident by André Kertész, Image 1.

    André Kertész

    Country Accident, 1916

    Gelatin silver print

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About the artist

Julian Trevelyan

British

1910–1988

English artist and poet. Trevelyan moved to Paris to learn etching and to pursue a career as an artist alongside Max Ernst, Joan Miro, and Pablo Picasso. He served as a camofleur for the British in World War II. He gained much of his inspiration from his home and studio on the Thames. He is known for his paintings and for his wife Mary Fedden, an accomplished artist herself. In 1935, he was a part of the International Surrealist Exhibition. He was the head of the etching department at Royal College of Art; David Hockney and Norman Ackroyd were some of his students.