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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Disclosures III by Shan Kelley, Image 1.

    Shan Kelley

    Disclosures III, 2013

    Needle-perforated parchment and printed paper

    35.75 x 24 in (90.81 x 60.96 cm)

  2. Walking Blindly by Elizabeth Catlett, Image 1.

    Elizabeth Catlett

    Walking Blindly, 1992

    Lithograph on paper

    15.75 x 13.5 in (40.01 x 34.29 cm)

  3. Plonguese by Hiroko Yoshimoto, Image 1.

    Hiroko Yoshimoto

    Plonguese, 1979

    Etching on paper

    19.5 x 20.25 in (49.53 x 51.44 cm)

  4. Blossoms in Mid-Air: R by Richard Black, Image 1.

    Richard Black

    Blossoms in Mid-Air: R, 1978

    Etching on paper

    17.75 x 14.875 in (45.09 x 37.78 cm)

  5. Untitled by Juan Genovés, Image 1.

    Juan Genovés

    Untitled, 1970

    Etching on paper

    19.875 x 25.9375 in (50.48 x 65.88 cm)

  6. Hawaiian Goose, from Series I of the Vanishing Species of Birds, Plate IV by Richard Evans Younger, Image 1.

    Richard Evans Younger

    Hawaiian Goose, from Series I of the Vanishing Species of Birds, Plate IV, 1966

    Offset Lithograph on paper

    25.5 x 21.125 in (64.77 x 53.66 cm)

  7. Jongleurs by Marino Marini, Image 1.

    Marino Marini

    Jongleurs, 1951

    Etching on paper

    12.5 x 9.75 in (31.75 x 24.77 cm)

  8. Toreador by David Solot, Image 1.

    David Solot

    Toreador, c. 1950

    Lithograph on paper

    14.5 x 19.875 in (36.83 x 50.48 cm)

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About the artist

Stanley William Hayter

English

1901-1988

An English painter and printmaker associated with the 1930s Surrealist movement. From 1940 onward, Hayter's work migrated more to the realm of Abstract Expressionism. He founded the legendary Atelier 17 studio in Paris in 1927. His is known for his works as a printmaker and painter, especially for his innovative work in the development of viscosity printing - a process that exploits varying viscosities of oil-based inks to lay three or more colours on a single intaglio plate.