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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Untitled (A) by Joel Shapiro, Image 1.

    Joel Shapiro

    Untitled (A), 2003

    Woodcut printed on Gampi paper, mounted onto Hanga Dosa paper

    19 x 26.5 in (48.26 x 67.31 cm)

  2. Untitled #140 by Hellen van Meene, Image 1.

    Hellen van Meene

    Untitled #140, 2001

    Chromogenic print

    15.375 x 15.375 in (39.05 x 39.05 cm)

  3. Black and Hand-Checkered Rump, New York City, Social Context by Larry Fink, Image 1.

    Larry Fink

    Black and Hand-Checkered Rump, New York City, Social Context, 1985

    Gelatin silver print

    19.875 x 15.875 in (50.48 x 40.32 cm)

  4. Perfume Delight by Adrian Van Suchtelen, Image 1.

    Adrian Van Suchtelen

    Perfume Delight, 1980

    Mezzotint on paper

    14.875 x 13.875 in (37.78 x 35.24 cm)

  5. Grubtsoo by William Weege, Image 1.

    William Weege

    Grubtsoo, 1979

    Handmade paper

    20.75 x 19.5 in (52.71 x 49.53 cm)

  6. Charles Ireland by Andy Warhol, Image 1.

    Andy Warhol

    Charles Ireland, 1978

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  7. Chance and Order VI by Kenneth Martin, Image 1.

    Kenneth Martin

    Chance and Order VI, 1977

    Screenprint on paper

    27 x 27 in (68.58 x 68.58 cm)

  8. A Dove Changing the Earth into a Rainbow by Stanley E. Lea, Image 1.

    Stanley E. Lea

    A Dove Changing the Earth into a Rainbow, 1973

    Lithograph on paper

    23 x 33.25 in (58.42 x 84.46 cm)

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About the artist

Fletcher Williams

African American

b. 1987

Fletcher Williams III is a Charleston-based interdisciplinary artist whose theoretical and conceptual art making practice is rooted in a southern vernacular. Williams studied drawing, painting, printmaking, graphic design, and sculpture at The Cooper Union, where he received a BFA in 2010 and worked for several years thereafter as a freelance graphic designer. While the core of Williams’ practice focused multimedia object making, a significant portion of his education was dedicated to studying ritual theory through the lenses of anthropology and sociology. His work has been exhibited in group and solo exhibitions, including recently at Hodges Taylor Gallery, Charlotte, NC; Redux Contemporary Art Center, Charleston SC; Aiken-Rhett House, Charleston SC; The Mint Museum Uptown, Charlotte NC; 701 Center for Contemporary Art, Columbia, SC; Gateway Project Spaces, Newark, NJ; Museum of Contemporary African Diasporan Art, Brooklyn, NY; and, San Diego Museum of Contemporary Art + African American Museum of Fine Art, San Diego, CA. In 2019, Williams was a visiting artist at the Gibbes Museum of Art, Charleston, and is the recipient of grants from Art Matters Foundation, The Dean Collection 20 St(art)-Ups, and, South Arts Southern Prize and State Fellowship, among others.