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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Karel Appel

    Sunshine Cat, 1978

    Lithograph on paper

  2. And Ice, Mast-High, Came Floating by, as Green as Emerald from The Rime of the Ancient Mariner by Patrick Procktor, Image 1.

    Patrick Procktor

    And Ice, Mast-High, Came Floating by, as Green as Emerald from The Rime of the Ancient Mariner, 1976

    Etching on paper

    25.5 x 19.5 in (64.77 x 49.53 cm)

  3. Small January 1973: 2 by Patrick Heron, Image 1.

    Patrick Heron

    Small January 1973: 2, 1973

    Screenprint on paper

    19.625 x 23.125 in (49.85 x 58.74 cm)

  4. Untitled by Juan Genovés, Image 1.

    Juan Genovés

    Untitled, 1970

    Etching on paper

    19.8125 x 25.875 in (50.32 x 65.72 cm)

  5. Section by Herb Jackson, Image 1.

    Herb Jackson

    Section, 1968

    Etching on paper mounted to mat

    10.75 x 16 in (27.31 x 40.64 cm)

  6. Feuilles I (Leaves I) by Jean-Paul Riopelle, Image 1.

    Jean-Paul Riopelle

    Feuilles I (Leaves I), 1967

    Lithograph on paper

    30.875 x 24.125 in (78.42 x 61.28 cm)

  7. Two Women by Rosemarie Beck, Image 1.

    Rosemarie Beck

    Two Women, c. 1960

    Lithograph on paper

    9.875 x 12.6875 in (25.08 x 32.23 cm)

  8. Untitled by Arthur Segal, Image 1.

    Arthur Segal

    Untitled, No date

    Woodcut on paper

    15.5 x 22.875 in (39.37 x 58.1 cm)

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About the artist

Carl Tandatnick

American

b. 1956

Carl Tandatnick was born in 1956 in New York City. He currently lives in Florida where he works as both an artist and a physician. His artwork focuses on AIDS and mortality-based issues and has been exhibited in numerous national and international museum exhibitions about AIDS, including "Don’t Leave Me This Way: Art in the Age of AIDS" at the Na-tional Gallery of Australia, Canberra, Australia; and a large-scale group show entitled "Pandemic," which traveled to the Philadelphia Art Alliance, Philadelphia, PA; United Nations Visitors Gallery, New York, NY; Pretoria Art Museum, Pretoria, South Africa; and Museu d’Art Contemporani de Barcelona, Spain. On December 1, 1994 and 1995, Tandatnick’s "Day Without Art/When is Day Without AIDS?" video installation of a massive AIDS virus was shown on the jumbotron towering over Times Square 72 times for 15 second intervals during the day from 7:06 AM until 1:00 AM the following day. His works are held in many prestigious permanent collections including the Museum of Fine Arts, St. Petersburg, FL; the National Gallery of Australia, Canberra, Australia; and the St. Louis University Museum of Contemporary Religious Art, St. Louis, MO.