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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Sunflowers by Joyce Tenneson, Image 1.

    Joyce Tenneson

    Sunflowers, 2020

    Archival pigment print

    22 x 17 in (55.88 x 43.18 cm)

  2. A Sadde Tramp Fish, 1999 by Gene Merritt, Image 1.

    Gene Merritt

    A Sadde Tramp Fish, 1999, 1999

    Ink on paper

    8 x 12 in (20.32 x 30.48 cm)

  3. Glass over Face, France, Social Context by Larry Fink, Image 1.

    Larry Fink

    Glass over Face, France, Social Context, 1988

    Gelatin silver print

    19.875 x 15.875 in (50.48 x 40.32 cm)

  4. Untitled, from Jamaica Botanical Series by William Eggleston, Image 1.

    William Eggleston

    Untitled, from Jamaica Botanical Series, c. 1978

    Chromogenic print

    13.875 x 16.875 in (35.24 x 42.86 cm)

  5. Memory of a Porch by John Grazier, Image 1.

    John Grazier

    Memory of a Porch, 1976

    Lithograph on paper

    22 x 30 in (55.88 x 76.2 cm)

  6. Triangle Between Infinities - 2 by Tchah-Sup Kim, Image 1.

    Tchah-Sup Kim

    Triangle Between Infinities - 2, 1976

    Etching on paper

    17.5 x 17.5 in (44.45 x 44.45 cm)

  7. Silo by Julian Trevelyan, Image 1.

    Julian Trevelyan

    Silo, 1973

    Etching on paper

    15.625 x 23.125 in (39.69 x 58.74 cm)

  8. Trio, from A Hungarian Memory Portfolio by André Kertész, Image 1.

    André Kertész

    Trio, from A Hungarian Memory Portfolio, 1923

    Gelatin silver print

    8 x 9.875 in (20.32 x 25.08 cm)

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About the artist

William Hogarth

British

1697-1764

London artist in 18th century, renowned for his portrait series, 'conversation pieces,' Hogarth studied under a goldsmith and produced engraved designs in 1710. His works pertained to satirical commentary on the contemporary norms. His work ranged from realistic portraiture to comic-strip like series of pictures called modern moral subjects, the best known being his moral series "A Harlot's Progress," "A Rake's Progress," and "Marriage A-La-Mode."