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Additional Artworks

From John & Geraldine Lilley Museum of Art

  1. Non-Indigenous Woman With Logs by Kathryn Polk, Image 2.

    Kathryn Polk

    Non-Indigenous Woman With Logs, n. d.

    Lithograph

  2. Noble on Dai's receving gifts by Moronobu, Image 3.

    Moronobu

    Noble on Dai's receving gifts, n. d.

    Woodcut

    7 x 10.25 in

  3. Oil Lamp by Unknown, Image 1.

    Unknown

    Oil Lamp, n. d.

    Earthenware

    3 x 3 x 3 in

  4. Nude, East Sussex Coast, c.1960 by Bill Brandt, Image 2.

    Bill Brandt

    Nude, East Sussex Coast, c.1960, n. d.

    Photograph

    9 x 7.75 in

  5. Nude by Craig Sheppard, Image 1.

    Craig Sheppard

    Nude, n. d.

    Oil

    29.2 x 44.8 in

  6. November by William Hamilton, Image 1.

    William Hamilton

    November, n. d.

    Engraving

    10 x 12.25 in

  7. October by William Hamilton, Image 1.

    William Hamilton

    October, n. d.

    Engraving

    10 x 12.25 in

  8. Ogre with Two Children Kachina by Woody Sewemaenewa, Image 3.

    Woody Sewemaenewa

    Ogre with Two Children Kachina, no date

    Wood Carving

    12.5 x 5.5 x 6 in

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About the artist

Bill Brandt

German-British

1904-1983

Bill Brandt was a photographer famous for his photojournalism work documenting aspects of British life. Although he was born in Hamburg, Germany, he disowned his German heritage and said that he was born in London. In 1929, he started his photography career in France. The country was a leader in the movement, where many artists were using photography as an artistic statement instead of just a documentary endeavor. While he was in Paris, Brandt was influenced by the work of Man Ray and studied this studio. Brandt returned to England in 1931 and took up photojournalism. His main interest was the varied socio-economic contrasts that he found among the British people. Brandt published two books about these photographs: The English at Home (1936) and A Night in London (1938). One of his best series is a set of pictures showing coal miners from northern great Britain during the Depression. Coal Searcher Going Home to Jarrow is the most well-known of the series. After World War II, Brandt’s style shifted back to the artistic, Expressionist style that he had learned as a young man. He focused on landscapes, nudes, and portraits. Portrait of a Young Girl is still widely reproduced, and Brandt said that he felt its technique may have inspired the film, Citizen Kane. Brandt admired the work of Edward Weston and Orson Welles. Taking a cue from their words, he liked to use older cameras that did not mimic human vision capabilities, and he often employed wide-angled lenses, especially when he photographed nudes. These works are collected in Perspective of Nudes (1961). A sampling of Brandt’s best works is showcased in Shadow of Light (1966). The artist was honored with a huge retrospective at London’s Victoria and Albert Museum in 2004. His Kensington home displays an English Heritage Blue Plaque, a rare achievement for a photographer.
Image of artist

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