Skip to profile content
Log In

Additional Artworks

From John & Geraldine Lilley Museum of Art

  1. Lucky by Susan Ressler, Image 1.

    Susan Ressler

    Lucky, no date

    Photograph

  2. London, 1958 by Bill Brandt, Image 2.

    Bill Brandt

    London, 1958, n. .d.

    Photograph

    9 x 7.75 in

  3. Lott's Cottage, Flatford Mill, Suffolk, 1976 by Bill Brandt, Image 2.

    Bill Brandt

    Lott's Cottage, Flatford Mill, Suffolk, 1976, n. d.

    Photograph

    8.625 x 7.75 in

  4. Major General George G. Meade by Brady, Image 2.

    Brady

    Major General George G. Meade, n. d.

    Engraving

    7.5 x 10.5 in

  5. Mae Orvis by Antonio Calvo Carrión, Image 1.

    Antonio Calvo Carrión

    Mae Orvis, n. d.

    Oil

    18 x 15 in

  6. Little Wolf - Cheyenne by Edward Sheriff Curtis, Image 2.

    Edward Sheriff Curtis

    Little Wolf - Cheyenne

    Photogravure

  7. Antonio Calvo Carrión

    Mae Orvis

    Oil

    18.375 x 15.125 in

  8. Local News by Jean Stamsta, Image 1.

    Jean Stamsta

    Local News, 2006 - 2008

    Acrylic

    12 x 24 in

View All Artworks

About the artist

Bill Brandt

German-British

1904-1983

Bill Brandt was a photographer famous for his photojournalism work documenting aspects of British life. Although he was born in Hamburg, Germany, he disowned his German heritage and said that he was born in London. In 1929, he started his photography career in France. The country was a leader in the movement, where many artists were using photography as an artistic statement instead of just a documentary endeavor. While he was in Paris, Brandt was influenced by the work of Man Ray and studied this studio. Brandt returned to England in 1931 and took up photojournalism. His main interest was the varied socio-economic contrasts that he found among the British people. Brandt published two books about these photographs: The English at Home (1936) and A Night in London (1938). One of his best series is a set of pictures showing coal miners from northern great Britain during the Depression. Coal Searcher Going Home to Jarrow is the most well-known of the series. After World War II, Brandt’s style shifted back to the artistic, Expressionist style that he had learned as a young man. He focused on landscapes, nudes, and portraits. Portrait of a Young Girl is still widely reproduced, and Brandt said that he felt its technique may have inspired the film, Citizen Kane. Brandt admired the work of Edward Weston and Orson Welles. Taking a cue from their words, he liked to use older cameras that did not mimic human vision capabilities, and he often employed wide-angled lenses, especially when he photographed nudes. These works are collected in Perspective of Nudes (1961). A sampling of Brandt’s best works is showcased in Shadow of Light (1966). The artist was honored with a huge retrospective at London’s Victoria and Albert Museum in 2004. His Kensington home displays an English Heritage Blue Plaque, a rare achievement for a photographer.
Image of artist

Images displayed via this interface may not be reproduced without the express permission of the artist or the artist's representative. Please contact the Lilley Museum of Art with any questions regarding image rights and reproduction.