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Additional Artworks

From John & Geraldine Lilley Museum of Art

  1. Berger et Bergère Conversant by Claude Lorrain (Claude Gellée), Image 2.

    Claude Lorrain (Claude Gellée)

    Berger et Bergère Conversant, c. 1651

    Etching

    8.0625 x 10.4375 in

  2. Burgers voortgedreven door soldaten (Civilians driven by soldiers) by André Devambez, Image 1.

    André Devambez

    Burgers voortgedreven door soldaten (Civilians driven by soldiers), 1914 - 1920

    Lithograph

  3. An outing in cherry blossom time - A girl at the left playing a shamisen by Harunobu, Image 2.

    Harunobu

    An outing in cherry blossom time - A girl at the left playing a shamisen, n. d.

    Woodcut

    11.125 x 7.75 in

  4. Bee and Red Fruit by Gyosui Kawanabe, Image 2.

    Gyosui Kawanabe

    Bee and Red Fruit, n. d.

    Woodcut

    4.875 x 9.5 in

  5. Archae-Aviary: A Requiem for Flight by B. Tripp, Image 1.

    B. Tripp

    Archae-Aviary: A Requiem for Flight, n. d.

    Lithograph

    36.25 x 24.5 in

  6. Beginning Began by Carol Spain, Image 3.

    Carol Spain

    Beginning Began

    Lithograph

    26 x 40 in

  7. Bamboo by Portia Starrett, Image 2.

    Portia Starrett

    Bamboo

    Monotype

    30 x 22.25 in

  8. Bullfrog by Jack Coughlin, Image 1.

    Jack Coughlin

    Bullfrog, n. d.

    Etching

    4.5 x 6.75 in

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About the artist

William Hamilton

Hamilton was born in Chelsea, London, but travelled and worked in Italy with Antonio Zucchi for several years. He trained first as an architectural draftsman but soon moved to theatrical portraits and scenes from plays. Hamilton became an associate member of the Royal Academy from 1784 and was made a full member in 1789. Hamilton became very well known for his paintings depicting episodes from the plays of Shakespeare and for his illustrations of poems. He was commissioned to create works for John Boydell's Shakespeare Gallery, ThomasMacklin's Bible, and Robert Bowyer's English History. These were widely reproduced in popular prints. Francesco Bartolozzi engraved several of Hamilton's best-known works. He also painted modern events, such as the execution of Marie Antoinette, in the manner of epic historical drama. Several battle scenes were also exhibited including The destruction of the Spanish battery ships before Gibraltar in the night of the 13th of Sept. last (1783) and Defence of the Breach at Jean d'Acre by Sir Sidney Smith (1800). Hamilton's style shows the influence of the cult of sentiment typical of the period, resembling the work of Angelica Kauffman. He also sometimes adopts aspects of Fuseli's dramatic distortions in composition and figure drawing.
Image of artist

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