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Additional Artworks

From John & Geraldine Lilley Museum of Art

  1. Adriaen van Stalbemt by Paulus Pontius, Image 1.

    Paulus Pontius

    Adriaen van Stalbemt, mid 17th century

    Engraving

    9.6875 x 7.9375 in

  2. A Path Through the Woods by Anthonie Waterloo, Image 2.

    Anthonie Waterloo

    A Path Through the Woods, 17th century

    Etching

    9.375 x 11.5625 in

  3. African Wood Carving by Unknown, Image 2.

    Unknown

    African Wood Carving, no date

    Wood Carving

    13.25 x 1.75 in

  4. A scholar rests his elbows on the low table before which he sits. by Suzuki Harunobu, Image 2.

    Suzuki Harunobu

    A scholar rests his elbows on the low table before which he sits., n. d.

    Woodcut

    11.125 x 7.75 in

  5. A Princess and her Attendents by Rumur Masanobu, Image 1.

    Rumur Masanobu

    A Princess and her Attendents, n. d.

    Woodcut

    10.125 x 8.5 in

  6. Alhambra Granada, Spain by Willis H. Church, Image 1.

    Willis H. Church

    Alhambra Granada, Spain, n. d.

    Watercolor

    9.5 x 13.25 in

  7. African Sculpture by Sheila Pinkel, Image 2.

    Sheila Pinkel

    African Sculpture, 1978 – 1982

    Xeroradiography

    15 x 10 in

  8. Acrylic Painting by James Weaver, Image 1.

    James Weaver

    Acrylic Painting, n. d.

    Acrylic

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About the artist

Bill Brandt

German-British

1904-1983

Bill Brandt was a photographer famous for his photojournalism work documenting aspects of British life. Although he was born in Hamburg, Germany, he disowned his German heritage and said that he was born in London. In 1929, he started his photography career in France. The country was a leader in the movement, where many artists were using photography as an artistic statement instead of just a documentary endeavor. While he was in Paris, Brandt was influenced by the work of Man Ray and studied this studio. Brandt returned to England in 1931 and took up photojournalism. His main interest was the varied socio-economic contrasts that he found among the British people. Brandt published two books about these photographs: The English at Home (1936) and A Night in London (1938). One of his best series is a set of pictures showing coal miners from northern great Britain during the Depression. Coal Searcher Going Home to Jarrow is the most well-known of the series. After World War II, Brandt’s style shifted back to the artistic, Expressionist style that he had learned as a young man. He focused on landscapes, nudes, and portraits. Portrait of a Young Girl is still widely reproduced, and Brandt said that he felt its technique may have inspired the film, Citizen Kane. Brandt admired the work of Edward Weston and Orson Welles. Taking a cue from their words, he liked to use older cameras that did not mimic human vision capabilities, and he often employed wide-angled lenses, especially when he photographed nudes. These works are collected in Perspective of Nudes (1961). A sampling of Brandt’s best works is showcased in Shadow of Light (1966). The artist was honored with a huge retrospective at London’s Victoria and Albert Museum in 2004. His Kensington home displays an English Heritage Blue Plaque, a rare achievement for a photographer.
Image of artist

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