Glennon’s work reimagines familiar environments—beaches, oceans, golf courses, aerial landscapes, and scenes of human civilization—by shifting scale, color, and function. Through her Newelry series, she transforms unexpected and reused materials into wearable sculptures, often presented within or attached to a corresponding painting. This dialogue between object and image invites viewers to reconsider meaning, material value, and perception. By miniaturizing expansive landscapes or repurposing everyday elements such as grains, wires, or found objects, she intentionally dissolves conventional associations and opens space for new interpretations.
Self-taught, with early painting studies in France, Glennon’s artistic path was shaped by formative moments beginning in the mid-1980s, when she first transformed discarded materials into jewelry in the south of France. Her work has been exhibited in France and California, including solo exhibitions in Venice (2012) and Santa Monica (2023), and she is currently affiliated with TAG Gallery.