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Additional Artworks

From Sigvaldason Fine Art Inc.

  1. Footprints in Snow by Kenneth Gordon, Image 2.

    Kenneth Gordon

    Footprints in Snow, 1991

    Oil on Panel

    10 x 13 in (25.4 x 33.02 cm)

  2. Unknown Title by Jon Helgason, Image 1.

    Jon Helgason

    Unknown Title, 1913

    Oil On Canvas

    6 x 9 in (15.24 x 22.86 cm)

  3. Androgny - Erotic Bear by Norval Morrisseau, Image 14.

    Norval Morrisseau

    Androgny - Erotic Bear, c. 1970's

    Silkscreen

    26 x 23 in (66.04 x 58.42 cm)

  4. Bear on the Hunt by Lloyd Kakepetum, Image 4.

    Lloyd Kakepetum

    Bear on the Hunt, c. 1970's

    Silkscreen 80/90

    19 x 24 in (48.26 x 60.96 cm)

  5. Washing at the Riverbank by Farquhar McGillivray Knowles, Image 16.

    Farquhar McGillivray Knowles

    Washing at the Riverbank

    Oil On Canvas

    10 x 8 in (25.4 x 20.32 cm)

  6. Running Moose by Lloyd Kakepetum, Image 2.

    Lloyd Kakepetum

    Running Moose, c. 1970's

    Silkscreen 115/135

    13 x 18 in (33.02 x 45.72 cm)

  7. Unknown Title by Jon Helgason, Image 1.

    Jon Helgason

    Unknown Title, c. 1913

    Oil On Canvas

    6 x 9 in (15.24 x 22.86 cm)

  8. Unknown Title by Jon Helgason, Image 1.

    Jon Helgason

    Unknown Title, c. 1913

    Oil On Canvas

    8 x 12 in (20.32 x 30.48 cm)

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About the artist

Simon Hughes

Simon Hughes was born in Winnipeg, Manitoba in 1973. He holds a BFA from the University of Manitoba (1996) and an MFA from the University of California (2010), in Irvine.  His art practice encompasses painting, drawing, film and video.  Since 2000, he has worked almost exclusively on paper using watercolour, collage and other media.  His “Northern” series of narrative works explore regionalism and common stereotypes of Canada’s north. Hughes’ recent works show his fascination with the Canadian abstract canon and its interaction with visual culture mediums. He reconsiders this canon in his own work, through the study of the influential artists, Paul Klee, Arthur Dove and Claude Tousignant. A Critical Modernist at heart, his abstracts and quasi-architectural renderings create fantastical Canadian scenarios, indulging his interest in childhood pursuits by referencing lego bricks and stickers.  Using these childhood tools and armed with a playful attitude, he becomes an architect and city planner of imaginary buildings in an imagined northern city. His “proposed” pre-fabricated, modular, log/wood, highrise condominiums are decorated with ice sculptures and inhabited by “sticker” people.  The stickers, a stereotypical vision of northern people, populate these fanciful buildings where they meet and mingle in improbable surroundings. Through a combination hybrid pioneering and Modernist spirit, Hughes has envisioned a hypothetical architectural and urban history that engages in a critical dialogue of contemporary Canadian communities.
Hughes’ large, multi-paneled watercolour installations have been included in exhibitions at the National Gallery of Canada, the Confederation Centre for the Arts, Plug In ICA and the Winnipeg Art Gallery.  His video work has been exhibited at museums and film festivals worldwide, most recently at the Sweeney Art Gallery at the University of California, in Riverside. He has received numerous grants from the Manitoba and Winnipeg Arts Councils, as well as the Canada Council for the Arts.
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