Trial Map #4 from the collection of South Carolina Arts Commission

Trial Map #4, 1987

acrylic, rhoplex, graphite, prismacolor collage

29.5 x 21.5 in

“Trial Maps” begin as imaginary planetary surfaces as yet unseen by the human eye. As I work, they begin to look more like maps of places where we have lived and hiked over the past forty years. The maps, or what is left of them, have been battered by years of wear, especially when they have fallen into the hands of hikers who, like me, have stuffed them back into their packs without re-folding them properly. The maps respond to this casual treatment by taking on a life of their own. Their folds grow in importance as they become progressively less believable. The surfaces begin as accidents, as they do in nature. Shapes (geographic, geological, human, animal, fantastic) emerge and are emphasized in intuitive ways. Maplike symbols appear to authenticate imaginary places. I play with the contrast between the real and the imagined, the known and the unknown.

Email Facebook X LinkedIn Pinterest

From South Carolina Arts Commission

James Busby

Heartbeat, 2014

mixed media painting

24 x 29 in
Nola Campbell

Vase, 1993

clay

9 x 7 x 7 in
Richard Burnside

The Crucifixion, 1991

enamel on canvas

22.75 x 29.5 in
Richard Burnside

The Ancient King with Attendants, 1991

enamel on plywood

40 x 40 in
Jeri Anne Burdick

Indian Series, 1987

pit fired clay

8 x 7 x 5 in
Sharon H. Campbell

Arc, 1986

sawdust-fired clay

23 x 14 x 9 in
Jeri Anne Burdick

Chip Off the Old Bowl, 1984

stoneware with terra siggalotto

3.5 x 9 x 9.5 in
Clay Burnette

Pine Needle Tray, 1984

pine needles and waxed linen

2 x 18 x 18 in