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Additional Artworks

From Museum of Outdoor Arts

  1. Willow by the Sea by Scott Soffa, Image 1.

    Scott Soffa

    Willow by the Sea, 2020

    Recycled sea glass and acrylic

  2. Thank You No. 1 (Tribute to Richard Diebenkorn) by Craig Marshall Smith, Image 1.

    Craig Marshall Smith

    Thank You No. 1 (Tribute to Richard Diebenkorn), 2017

    Oil On Canvas

    60 x 40 in

  3. Monogram (MOA) by Craig Marshall Smith, Image 1.

    Craig Marshall Smith

    Monogram (MOA), 2003

    oil and color pencil on canvas

    24 x 36 in

  4. Krazy Kat #1 by Craig Marshall Smith, Image 1.

    Craig Marshall Smith

    Krazy Kat #1, 2003

    oil and color pencil on canvas

    96 x 77 in

  5. Rodger by Craig Marshall Smith, Image 1.

    Craig Marshall Smith

    Rodger, 2001

    mixed media on wood

    90 x 90 in

  6. The Dream Tree by Todd Siler, Image 1.

    Todd Siler

    The Dream Tree, 2000

    steel

    225 x 508 x 90 in

  7. Thy Fearful Symmetry: Between Innocence and Experiences by Todd Siler, Image 1.

    Todd Siler

    Thy Fearful Symmetry: Between Innocence and Experiences, 1990

    mixed media on synthetic canvas

    94 x 143.5 in

  8. Untitled by Joseph Snyder, Image 1.

    Joseph Snyder

    Untitled, 1981

    acrylic on canvas

    47.75 x 95.375 in

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About the artist

Kristine Smock

Kristine Smock is both a painter and sculptor, who has lived and worked in Colorado for over the past twenty years. She works in such mediums as clay, steel, bronze, concrete, and recycled mixed media materials. Many of her sculptures explore the notion of movement, and find new shape through the application of springs, hinges, spindles, and gears. Smock says, “I am drawn to found objects. I like to use cast off items in my pieces to see if it is possible to transform them into something else. I enjoy recycling while I work and hope that the pieces are humorous and beautiful. I like to see what happens when I turn things upside down and shake things a bit. I am constantly tempted to try new ideas, mediums, and techniques. I’ve always wanted to make large concrete and mosaic forms, especially after numerous trips to Mexico, France, and Italy. My inspiration comes from spiritual art figures found in the churches, ancient architectural ruins, animals forms, human relations, and the natural world around me.”