Alison Saar’s suite of eight multi-block linocuts titled Copacetic, 2019, are printed on handmade Japanese Hamada Kozo paper and hand-inked in a palette of deep reds, blues and yellows. Inspired by the Harlem-125th Street subway station’s wrought ironwork and designs from the African diaspora, Saar pays tribute to the African American artists of the Harlem Renaissance through panoramic scenes of imagined dancers, singers, musicians and patrons enjoying Harlem’s heyday of the 1930-40s.