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Additional Artworks

From Studio MGH

  1. Doe Bay Schoolhouse by Sherry Smith Bell, Image 1.

    Sherry Smith Bell

    Doe Bay Schoolhouse, 1998

    Silkcreen

    8.5 x 11 x 0 in

  2. "Side Stretch Nude" 1984 Figure Gouache and Pastel American Modernist Jack Hooper by Jack Hooper, Image 9.

    Jack Hooper

    "Side Stretch Nude" 1984 Figure Gouache and Pastel American Modernist Jack Hooper, 1984

    Gouache and pastel on paper

    26 x 20 in

  3. Abstract "Tree Landscape" Ink Line Drawing 1981 American Modernist Jack Hooper by Jack Hooper, Image 5.

    Jack Hooper

    Abstract "Tree Landscape" Ink Line Drawing 1981 American Modernist Jack Hooper, 1981

    ink on glossy paper

    7 x 11 in

  4. 1980 "Summer Cabin" Abstract Landscape Painting Acclaimed Illustrator Bill Shields by Bill Shields, Image 2.

    Bill Shields

    1980 "Summer Cabin" Abstract Landscape Painting Acclaimed Illustrator Bill Shields, 1980

    oil paint and pastel on paper

    18 x 24 in

  5. Floral Seventies Silkscreen by Pat Helmuth, Image 2.

    Pat Helmuth

    Floral Seventies Silkscreen, 1978

    Silkscreen

    29.25 x 22 x 0 in

  6. Hidden Houses by Frank J Bette, Image 1.

    Frank J Bette

    Hidden Houses, 1976

    Watercolor on Watercolor Paper

    15 x 17 in

  7. 1970s Female Nudes Watercolor "Sitting, Bending, Looking" by Thelma Corbin Moody, Image 2.

    Thelma Corbin Moody

    1970s Female Nudes Watercolor "Sitting, Bending, Looking", c. 1970

    Watercolor

    18 x 24 in

  8. 1960s "Metaphor" Abstract Collagraph NY Artist Myril Adler by Myril Adler, Image 6.

    Myril Adler

    1960s "Metaphor" Abstract Collagraph NY Artist Myril Adler, c. 1960

    Collagraph ink on paper

    7.5 x 6 in (paper)

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Studio MGH specializes in “undiscovered”, original, 20th century, American art. I scour the country to find collections from artists whose work has been hidden in the shadows of attics, storage units and family estates. Most of these artists have a lifetime of work that for whatever reason never made it out into the public. My job is to tell the artist’s story, preserve the art, assign a value and bring it to the people.


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