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Additional Artworks

From LRC

  1. Translumina I. by Richard Anuszkiewicz, Image 6.

    Richard Anuszkiewicz

    Translumina I., 1986

    Cast polyurethane on wood with multiple colors (acrylic)

    85 x 85 x 1.2 in

  2. Untitled by Abe Ajay, Image 1.

    Abe Ajay

    Untitled, 1979

    Resin, acrylic on canvas over wood

  3. 'The Y' by Richard Anuszkiewicz, Image 2.

    Richard Anuszkiewicz

    'The Y', 1976

    Acrylic on Canvas

    30 x 30 in

  4. Sun Squared (No. 259) by Richard Anuszkiewicz, Image 4.

    Richard Anuszkiewicz

    Sun Squared (No. 259), 1969

    Liquitex on Canvas

    63 x 64 in

  5. Untitled module by Abe Ajay, Image 2.

    Abe Ajay

    Untitled module, 1968

    Colorful acrylic

    3.5 x 9.5 x 5.5 in

  6. Gradazioni di grigio su nero by Marina Apollonio, Image 1.

    Marina Apollonio

    Gradazioni di grigio su nero, 1966

    Acrylic on Masonite

    40x40 cm

  7. The Union of Mercury and Sulphur by Richard Anuszkiewicz, Image 1.

    Richard Anuszkiewicz

    The Union of Mercury and Sulphur, 1964

    Liquitex on Masonite

    23.6 x 36 in

  8. Solar Architecture by Hannes Beckmann, Image 1.

    Hannes Beckmann

    Solar Architecture, 1963

    Oil on Masonite

    30 x 30 in

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About the artist

Marina Apollonio

b. 1940

Marina Apollonio (born 1940 in Trieste) is an Italian artist associated with Op Art and Kinetic Art, celebrated for her precise geometric works that explore visual perception and optical movement. Raised in Venice and trained at the Accademia di Belle Arti di Venezia, she began developing her distinctive language in the early 1960s through experiments with industrial materials, rhythmic patterns, and dynamic forms. Her best known works often use concentric circles, vibrations, and shifting spatial effects to activate the viewer’s gaze and create an experience of motion. She exhibited internationally from the mid 1960s and became linked to the Nova Tendencija movement, with her work entering major collections including that of Peggy Guggenheim. Apollonio continues to be recognized as a key figure in postwar European abstraction, noted for her rigorous approach to form and her enduring investigation of the relationship between art, space, and perception.
Image of artist