The original working premise of this collaborative effort was for Patel to put forth a photograph and for Wilson to react to it with an over-painted intervention in sumi-ink or watercolor. It took Wilson a while to respond primary because he found the photograph to be perfect in focus composition and balance. Instead he felt a strong association between the photograph and “Six Persimmons” a 13th-century Chinese painting by the monk Muqi Fachang.* After many attempts to make this visual connection non-destructive to the serenity of the original photograph this discourse was abandoned; this print was the only successful survivor of this direction.
Additional Artworks
From Keith Wilson
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21.02 ABSTRACT DRAWING/Cypress Trees
Archival Digital Print on Archival Hahnemuhl Museum etching paper stock
18 x 14 in
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20.01 BLUEMASS-/Cliffside Beach
Archival Digital Print on Archival Hahnemuhl Museum etching paper stock
18 x 14 in
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17.01 ROCKFACE/boulders
Archival Digital Print on Archival Hahnemuhl Museum etching paper stock
16 x 16 in
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19.03 ORANGE SWATH/Madrone
Archival Digital Print on Archival Hahnemuhl Museum etching paper stock
16 x 16 in
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16.0 SECOND GROWTH/Sea Mountains
Archival Digital Print on Archival Hahnemuhl Museum etching paper stock
8 x 18 in
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15.0 BLUESURF/Driftwood
Archival Digital Print on Archival Hahnemuhl Museum etching paper stock
12 x 18 in
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13.0 RED ROCK IN/Forest
Archival Digital Print on Archival Hahnemuhl Museum etching paper stock
18 x 12 in
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8.02 COASTAL THERMAL ZONES/Sea Palm
Archival Digital Print on Archival Hahnemuhl Museum etching paper stock
14 x 18 in