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Marks repeat, fracture, recombine—like syntax stripped of grammar. The painting builds through rhythmic gesture, testing how meaning emerges from movement. Wright’s grids operated similarly: variation within a formal order, discovery through pattern.

From Jonathan Herbert

  1. Children of Bucha by Jonathan Herbert, Image 8.

    Children of Bucha, 2022

    Acrylic and urethane on canvas

    60 x 40 x 1.5 in (152.4 x 101.6 x 3.81 cm)

  2. Hospital by Jonathan Herbert, Image 9.

    Hospital, 2022

    Acrylic and urethane on canvas

    72 x 60 x 1.5 in (182.88 x 152.4 x 3.81 cm)

  3. And on the Third Day by Jonathan Herbert, Image 1.

    And on the Third Day, 2022

    Acrylic and urethane on canvas

    60 x 40 x 1.5 in (152.4 x 101.6 x 3.81 cm)

  4. Night Moves by Jonathan Herbert, Image 1.

    Night Moves, 2022

    Acrylic and urethane on canvas

    60 x 40 x 1.5 in (152.4 x 101.6 x 3.81 cm)

  5. Jump Around by Jonathan Herbert, Image 1.

    Jump Around, 2022

    Watercolor on rag paper

    9 x 7 in (22.86 x 17.78 cm)

  6. Verdigris by Jonathan Herbert, Image 1.

    Verdigris, 2022

    Acrylic and urethane on canvas

    60 x 40 x 1.5 in (152.4 x 101.6 x 3.81 cm)

  7. Ridden by Legba by Jonathan Herbert, Image 1.

    Ridden by Legba, 2022

    Acrylic on canvas

    80 x 40 in (203.2 x 101.6 cm)

  8. Take Me to Church by Jonathan Herbert, Image 1.

    Take Me to Church, 2022

    Acrylic and urethane on canvas

    72 x 60 in (182.88 x 152.4 cm)